The Fog Clears is an instrumental interlude that happens in the middle of an experimental audio fiction concept album The Tower. My name is David Devereux. I'm a audio fiction creator and composer from Scotland. I wrote this piece as an interlude which bridges the story of Kiri, a young girl who climbs an infinite tower to escape the drudgery of her life down below. The Fog Clears is a gentle and expansive soundtrack which musically describes the moment Kiri achieves clarity, peace and the strength to continue her journey. Let’s break it down!


IN THIS EPISODE


01:18 The Fog Clears was written for a narrative audio fiction series. Influences included Pink Floyd, Jeff Wayne’s War of the Worlds and the classic ‘Studio Ghibli’ sound of Ryuchi Sakamoto.


02:48 A Wurlizter electric piano sound serves as the basis for the entire soundtrack. It can feel a bit dishonest saying you used a Wurlitzer, when you’re really using a software emulation of one. A Wurlitzer keyboard is difficult and expensive to acquire!


03:38 With this piece, I wanted to pay homage to one of my favorite pieces of music, Merry Christmas, Mr Lawrence by Ryuchi Sakamoto.


04:16 The thickness of the Wurlitzer sound creates a feeling of thick fog. At this point in the story, Kiri is alone on the tower, covered in fog.


06:09 With this section, I was trying to create the impression that the fog is starting to shift. I used a ghostly lead synth, and a second synth which emulates the beeps of a Sega console. I also used an organ sound. I grew up with my uncle playing organ, and it really adds presence and majesty to music. I included a chiptune-sounding Nintendo synth, which was influenced by a game soundtrack called Hyper Light Drifter by Disasterpeace.


08:23 I wanted the crescendo to be really big, with the clouds clearing and the world spreading out in front of her. Very dramatic! I went for a cinematic string sound, using cello, violin. I also used a mellotron, an early prototype of the sampler which allowed tape loops to be played on a piano keyboard.


09:48 For the finale, everything is revealed to Kiri and all the instruments from the bridge play together in harmony. A slow decrescendo represents a calming of Kiri’s emotions as clarity, peace and strength are achieved.


SHOW NOTES

Download, buy or listen to ‘The Tower’ soundtrack https://tincanaudio.bandcamp.com
Tin Can Audio is a fiction podcast production company https://tincanaudio.co.uk

MUSIC CREDITS


Jeff Wayne - The Red Weed (Part 1)
Pink Floyd - Great Gig in the Sky
David Devereux - Waking the Tower
David Devereux - The View
Ryuichi Sakamoto - Merry Christmas, Mr Lawrence
Disasterpeace - A Chorus of Tongues


ABOUT THIS SHOW


How I Make Music is where behind-the-scenes musicians tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made.


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