Why Did Yes Want…Eddie Jobson? – Part 1 – 556

Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius

Lrheath / CC BY-SA

This week Mark and I have been considering why Yes wanted Eddie Jobson. He stayed with the band for about as long as a British Prime Minister but there must have been compelling musical reasons why he was asked to join in the first place. So that’s what we are beginning to explore in this episode. While Eddie isn’t very well-known outside the Prog world, he certainly had the capacity to take Yes in a different and perhaps very interesting direction before he was replaced by the returning Tony Kaye. Another parallel with the UK political situation?

Child prodigy to Prog legend - an amazing story.What skills did Eddie have which attracted Yes?Did he have the experience to join Yes?

Take a listen to the episode and then let us know what you think below!

expose.org / CC BY-SA

Facebook has just changed how pages work which means that I’ve had to establish a new place for us to post and discuss Yes-related happenings. It’s a new group entitled, rather creatively, YMP Discussion Group. For the moment it’s open to anyone to join but I’ll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.

https://www.facebook.com/groups/3216603008606331/

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Not final artwork or title - just me messing about with one of Jeremy North's photos

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Ken FullerJeffrey Crecelius andWayne Hall

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Theme music

The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from: archive.org