Tonight we consider a highlight of Italian cinema, and world cinema in general: 1945's "Rome, Open City." Roberto Rossellini wanted to make a movie reflecting his and others' experiences living in Occupied Italy. He may have succeeded too much, as although "Rome, Open City" would become an honored part of Italy's hertigae, it was initially cold-shouldered by Italian audiences, who didn't want to be reminded of the situation they had lived for so long... asides include the embarassment of being young and highbrow, Pope Francis, junkie liars, and Italians' weird fixation on faces. 

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