This week Quinn and I discuss "The Innocents" from 1961 and "The Uninvited" from 1944. We nerd out on cinematography and especially deep focus in "The Innocents" and "Citizen Kane".

Of course questions remain. What exactly is the connection between The Uninvited and Quinn's obsession, "Verigo"? Why did the "Uninvited" turn into a wackadoo comedy? How do you pronounce "Milland"?

Join us next week on the main show for the deep dive Mac and I do on Korean director, Kim Jee Woon and in two weeks when Quinn and I do a deep dive on Greta Gerwig.

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