Episode 61: Evil and Ecstasy: On 'The Silence of the Lambs'

The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconced our modern, common-life construal of thinigs. It must become fantastic and incorporate aspects of "nature" that feel "supernatural" from a modern standpoint. Jonathan Demme's screen adaptation of The Silence of the Lambs is a powerful example. The film oscillates undecidably between a straightforward crime story and a work of supernatural horror. In this episode, JF and Phil cast Hannibal Lecter and Clarice Starling as figures in a myth that pits the individual against the institution, the singular against the type, and the forces of light against the forces of darkness.
REFERENCES
Jonathan Demme (dir.), The Silence of the Lambs (https://www.imdb.com/title/tt0102926/)
Thomas Harris, [The Silence of the Lambs](https://www.goodreads.com/book/show/23807.TheSilenceoftheLambs) (original novel)
Carl Jung (https://carljungdepthpsychologysite.blog/2019/08/02/carl-jung-on-the-doctrine-of-privatio-boni/#.XefQEy8ZO_I) on the doctrine of Privatio Boni
Johann Sebastian Bach, [The Goldberg Variations](https://en.wikipedia.org/wiki/GoldbergVariations)_
William Gibson, Pattern Recognition (https://www.amazon.com/Pattern-Recognition-Blue-Ant-Book-ebook/dp/B000OCXGVY)
Rolling Stones, "Sympathy for the Devil" (https://www.youtube.com/watch?v=GgnClrx8N2k)
Howard Shore (https://en.wikipedia.org/wiki/Howard_Shore), Canadian composer
Arthur Machen, The White People
Weird Studies, episode 3 (https://www.weirdstudies.com/3): Ecstasy, Sin, and "The White People"
Machen, [The White People](https://en.wikipedia.org/wiki/TheWhitePeople)
Machen, Hieroglyphics: A Note Upon Ecstasy in Literature (https://archive.org/details/hieroglyphicsnot00mach/page/n4)

The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconced our modern, common-life construal of thinigs. It must become fantastic and incorporate aspects of "nature" that feel "supernatural" from a modern standpoint. Jonathan Demme's screen adaptation of The Silence of the Lambs is a powerful example. The film oscillates undecidably between a straightforward crime story and a work of supernatural horror. In this episode, JF and Phil cast Hannibal Lecter and Clarice Starling as figures in a myth that pits the individual against the institution, the singular against the type, and the forces of light against the forces of darkness.

REFERENCES

Jonathan Demme (dir.), The Silence of the Lambs

Thomas Harris, The Silence of the Lambs (original novel)

Carl Jung on the doctrine of Privatio Boni

Johann Sebastian Bach, The Goldberg Variations

William Gibson, Pattern Recognition

Rolling Stones, "Sympathy for the Devil"

Howard Shore, Canadian composer

Arthur Machen, The White People

Weird Studies, episode 3: Ecstasy, Sin, and "The White People"

Machen, The White People

Machen, Hieroglyphics: A Note Upon Ecstasy in Literature