Baritone, Gabriel Preisser, discusses baritone technique for navigating the passaggio. He goes deep into the dangers of muscling the sound as a young baritone, and explaining the voice turning over.

Gabe has sung over 40 operatic and musical theatre roles in companies like Minnesota Opera, Cincinnati Opera, Opera Philadelphia, and Michigan Opera Theatre, in roles such as Danillo, Figaro, Billy Bigelow, and Dandini. In 2020 he sang with the Boston Modern Orchestra Project which won the Grammy-Award for best new opera recording.

WATCH Gabe in action: https://youtu.be/q1B4WUA6jAU

Voice with Julia’s #techniquetalks is where we demystify conversations surrounding vocal technique with behind-the-scenes access to great singers of today. Forget what you thought you knew about singing from your pedagogy textbook. In this series, singers get real about what works, and what doesn't. Get inspired. Try these tips. Use your judgement.

Show Notes:

6:20 Gabe discusses how he gets his voice working all-day-everyday – Technique + consistent skills

10:00 Difference between head voice, falsetto, and chest voice

12:30 Turning over the voice (what/how)

15:30 Gabe discusses the vowels that help turn over the passaggio

18:12 Gabe discusses tongue position when turning over

19:50 Gabe discusses exercises to build up breath system

24:30 Gabe discusses body alignment/posture (alexander technique, yoga)

29:50 Gabe discusses how to sing Largo as a baritone (high notes and patter/articulation)

33:23 Gabe discusses high notes and vowels

38:40 Gabe discusses low notes

41:35 Gabe discusses whistle tone vs. Falsetto

43:47 Gabe discusses coloratura

46:50 Gabe discusses contemporary vocal technique Repertoire, and cross-over

50:54 Gabe discusses hooking

52:07 Gabe discuses his most challenging cross-over role

53:30 Gabe discusses his favorite baritone vocally

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