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William Fruet's exploitation film is considerably better than you'd expect, considering it was trashed on its release, lashed as the other film with touring prints of Last House On The Left, and fell into relative obscurity. It's all due to some strong character work and great acting.

William Fruet’s exploitation film is considerably better than you’d expect, considering it was trashed on its release, lashed as the other film with touring prints of Last House On The Left, and fell into relative obscurity. It’s all due to some strong character work and great acting.