VMI 3.111213 There’s Gotta Be a Poughkeepsie Mortem
VMI
English - January 19, 2021 15:53 - 1 hour - 78.7 MB - ★★★★★ - 353 ratingsTV & Film Homepage Download Apple Podcasts Google Podcasts Overcast Castro Pocket Casts RSS feed
A LONG TIME AGO ON VERONICA MARS:
Remember Max, that guy who you can pay to cheat on tests? Well he’s fallen in love with a sex worker and wants Veronica to track her down! But it’ll cost him, financially and emotionally.
Remember Bonnie, the sexperson who had been dealing with Dick and other frats outside of her relationship with Luckyinawig? Well, she was pregnant, until someone slipped her a pill that caused her to miscarry.
Remember the Dean’s wife’s ex-husband Steve? He’s back, because now the Dean’s dead, Mindy can’t afford to pay him the bone marrow hush money any more.
Remember eggs, specifically the ones that the Dreaded Feminists threw at the Dean’s car and the Dean’s office? Keith is putting on his old sheriff uniform to investigate.
Remember Wallace’s sportsball coach? No? Never mind: he shows up dead, and the Marses have to prove that his son Josh isn’t the murderer.
Remember Madison Sinclair? Logan had sex with her! And so Loganica break up. Again.
Hence Logan is wallowing in heartbreak, until Dick runs off to Vegas and leaves him in charge of an 11-year-old girl - who is a better friend to him than anyone else has been on this show.
Join Jenny Owen Youngs and Helen Zaltzman to investigate Veronica Mars season 3 episodes 11, 12 and 13: There’s Gotta Be a Poughkeepsie Mortem, and delve into such mysteries as why this show gives us 40 minutes of awful Max and one minute of our angel Wallace, what ‘interesting lingerie’ could mean, and why are truck nuts.
Content note: Veronica Mars contains heavy themes, and this episode includes storylines concerning murder, suicide, sex work, rape, miscarriage, abortion and anti-abortion movements.
For more about this episode, and to read the transcript, visit the podcast’s official site VMIpod.com/3-111213.
This episode was edited and mixed by Helen Zaltzman; the music is by Martin Austwick and Jenny Owen Youngs; Lo Dodds gives us the LoDown.
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