Episode 224: THE TRIAL (1962)

Absurd, theatrical, and meandering, THE TRIAL is an almost faithful adaptation of Kafka’s literary critique of legal bureaucracy. In this episode, we talk about the movie’s lack of narrative pull, its garish monochrome palette and impressive set design, and what it says that Orson Welles changed the lens of Kafka’s novel to focus on the individual – and then cast himself as the villain. Watch THE TRIAL on the Internet Archive: https://archive.org/details/the-trial-1962 Follow us on Twitter at https://twitter.com/trylovepodcast and email us at [email protected] to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Adagio Prologue" by Jean Ledrut from the THE TRIAL soundtrack. Timestamps 0:00 - Episode 224: THE TRIAL (1962) 2:43 - The Patented Aaron Grossman Summary 4:25 - Orson Welles’s Advocate and differences from the book 17:43 - Red Scare anger and an ego-fueled daydream 23:41 - An abstruse bureaucracy designed to prey on public guilt 34:30 - Impossible spaces 45:24 - The Junk Drawer 54:01 - Good Grief, Give Me a GIF! 58:11 - Cody’s Noteys: With Franz Like These