Opelika Jane Doe

EPISODE BEGINS AT TIME MARK 16:45!!! On January 28th, 2012, the residents of Opelika, Alabama were rocked to their core when a resident of the Brookhaven Mobile Home Park discovered the skull of a young girl on the property of the mobile home that he shared with his mother. The Opelika Police Department, along with the FBI and the National Center for Missing and Exploited Children, have spent over eight years attempting to identify the baby Jane Doe. Authorities believe that the information that has been provided about the remains, along with photos furnished by a Sunday school teacher at a local church, are key to determining who this girl was and who may be responsible for the crime. Jason and Nick discuss this case, and talk about possible theories surrounding the case. 
ALSO IN THIS EPISODE: Gilgo Beach Jane Doe and a host of other Does have been identified! Also, Parabon's new study and the protests happening across America! 
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True Cold Case Files (TCCF) is an episodic program that occasionally releases new episodes centered around cold cases in the United States. The episodes covered are cases that are rarely heard of or have had minimal media coverage, with exceptions at times. The cases range from cold case homicides to missing and unidentified persons. TCCF has been on the air since January 2019, when it began as a YouTube show. In November of 2019, TCCF debuted as a podcast and has reached thousands of listeners across the United States and around the world.
Our music is brought to you by Mitch Murder©. Mitch is a renowned synthwave artist with a broad library of synthwave music. Mitch has worked with synthwave artists such as FM-84 and The Midnight; and has worked with movie director David Sandburg and actor David Hasselhoff. You can find Mitch on Spotify at: https://open.spotify.com/artist/7eOzCiTklgHxfpf6Mb3D2e?si=-KV9N2OnThW8nF5tifyGMQ
Glass Cities™, the theme of TCCF, is licensed by Proton LLC and 2 Music Rights Societies. All Rights Reserved. Permission to use the songs “Glass Cities” and “Best of the Best” from the album are used with permission with Mitch Murder’s direct consent. 

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