Blood on the Tracks Episode 1: 1970s Crime and Thrillers.
They Must Be Destroyed On Sight!
English - April 30, 2017 17:38 - 1 hour - 56.5 MB - ★★★★★ - 15 ratingsFilm Reviews TV & Film Arts Performing Arts Homepage Download Apple Podcasts Google Podcasts Overcast Castro Pocket Casts RSS feed
Welcome to the first episode of Blood on the Tracks, a sub-podcast of TMBDOS!, devoted to celebrating and exploring film soundtracks and scores. A new episode will be available at the end of every month. These will mostly be solo-casts, thus they will be more akin to the Intermission episodes, but hopefully you'll be able to overlook the awkardness of the host trying to fill dead air and just enjoy the music.
Playlist:
--Gassenhauer from "Badlands" (1973) -- Carl Orff
--Suite from "Marathon Man" {Main Title (alternate); Resemble Diamonds/Fountain Appointment; Market Continuation; End Credits; Fountain Appointment (alternate)} (1976) -- Michael Small
--Theme from "Night Moves" (1975) -- Michael Small
--Main Title from "Dirty Harry" (1971) -- Lalo Schifrin
--Theme from "Serpico" (1973) -- Mikis Theodorakis
--Yellow Panic from "Three Days Of The Condor" (1975) -- Dave Grusin
--End Titles from "The French Connection" (1971) -- Don Ellis
--Opening Theme/Carter Takes a Train from "Get Carter" (1971) -- Roy Budd
--Main Title from "Breakout" (1975) -- Jerry Goldsmith
--Search; Rain Forest; and Betrayal (Sorcerer Theme) from "Sorcerer" (1977) -- Tangerine Dream
Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.