"My true gender is theatre kid" : the Frankie Thomas story

Like a Millennial Pygmalion, 16-year-old Frankie Thomas was plucked from the streets of New York, into the glossy studios of Teen People magazine. Their photo appeared in the March 2004 issue of Teen People (the prom issue!), under the headline "Smooch-proof Lips". Among other things, Teen People’s makeup artists suggested using lip liner as lipstick—it’ll last longer—or layering gloss over a lip stain.

As you’ll hear in this episode, this was uncharted territory for Frankie.

Frankie grew up in Chelsea, and went to the Friends Seminary, also known as the Quaker School. Founded in 1786, the school’s former students include Kyra Sedgewick, Vera Wang, Amanda Peet, and Lena Dunham.

Frankie has an MFA in fiction from the Iowa Writers’ Workshop, and has written for The Paris Review; focusing on '90s pop culture, Young Adult literature, and queer aesthetics. Their writing career began with a teenage blog—you’ll hear excerpts from this throughout this episode.

Want to see Frankie's Teen People photo? Find it on Twitter and Instagram, at TeenPeoplePod, and on Tumblr: www.teenpeoplepod.tumblr.com. And check out my website, www.annasoper.ca.

Read Frankie's work here:

about.me/frankiethomas

Frankie's book list:

'I'm Supposed to Protect You from All This', Nadja Spiegelman, 2016 (Riverhead Books)

'Detransition, Baby', Torrey Peters, 2021 (One World)

'Long Live the Tribe of Fatherless Girls', T Kira Madden, 2019 (Bloomsbury)

'The Secret History', Donna Tartt, 2004 (Vintage)(Frankie's literary North Star!)

Did you figure out that this whole episode is a tribute to Wes Anderson's soundtracks? Here's the music that made it happen:

Frédéric Chopin, ‘Berceuse Op. 57’, Christine Hartley-Troskie. CC BY 2.5 (creativecommons.org/licenses/by/2.5), via Wikimedia Commons.

Maurice Ravel, ‘String Quartet in F Major (Second Movement)’, United States Army Band. Public domain, via Wikimedia Commons.

Lesfm, ‘Amazing Grace of Christmas’. Public domain, via Pixabay.

Erik Satie, ‘Gymnopédie no. 1’, Robin Alciatore. Public domain, via Wikimedia Commons.

Johann Sebastian Bach, ’Sheep May Safely Graze’, BWV 208, Kevin MacLeod. CC BY 2.0 (creativecommons.org/licenses/by/2.0), via Wikimedia Commons.

embracetheart, ‘City Traffic (Outdoor)’. Public domain, via Pixabay.

Franz Schubert, ‘An die Musik’, Adrien Poupin and Armelle Mathis. CC BY 3.0 (creativecommons.org/licenses/by/3.0), via Wikimedia Commons.

Mild Wild, ‘See Through’. CC BY 4.0 (creativecommons.org/licenses/by/4.0), via Wikimedia Commons.

Amy Sayer, ‘wild tape’. CC BY-NC-ND 3.0 (https://creativecommons.org/licenses/by-nc-nd/3.0/), via Free Music Archive.

Johann Pachelbel, ‘Canon’, Arr. Frank Hudson, United States Air Force Band. Public domain, via Wikimedia Commons.

Mild Wild, ‘Line Spacing’. CC BY 4.0 (creativecommons.org/licenses/by/4.0), via Wikimedia Commons.

Update, April 2022: Read James Frankie Thomas' first essay as James Frankie Thomas; a startling take on The Killers' 2003 hit, Mr. Brightside: www.astra-mag.com/articles/i-wish-i-could-stop-thinking-about-mr-brightside/