TN:120 The Japanese House, Chloe Kraemer & George Daniel

Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.
To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).

In this episode, John catches up with Amber Bain aka The Japanese House, along with producers Chloe Kraemer and George Daniel to talk about how they wrote, recorded and produced the album ‘In The End It Always Does’.

Looking back on their time together, Amber, Chloe, and George guide us through the process of bringing each song to life. Alongside stories of misunderstood lyrics and dog walk writing sessions, they treat us to some of the most stunning first demos ever heard, as well as the spontaneous studio moments that left everyone in tears.

As well as digging into the processes that shape the sound of the record, the trio discuss the importance of people when making music. They give us insights on the effects that come with having different personalities in the room, and how their studio mindsets have allowed them to efficiently work together in all iterations of themselves.

Listen to find out why there should be more songs about pets, how insecurity can destroy productivity, and what the difference is between a lyric song and a music song. 

Tracks discussed: Boyhood, Sunshine Baby, One for sorrow, two for Joni Jones

LINKS TO EVERYTHING TAPE NOTES  
linktr.ee/tapenotes 

Listen to ‘In The End It Always Does’ here.
 Dirty Hit

Intro Music - Sunshine Buddy, Laurel Collective   

GEAR MENTIONS
Output Portal
Soundtoys PrimalTap
Spectrasonics Omnisphere
Xfer Serum
Moog One

OUR GEAR
https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW
If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
Donate
Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE
For behind the scenes photos and the latest updates, make sure to follow us on: 
Instagram: @tapenotes 
Twitter: @tapenotes 
Facebook: @tapenotespodcast  
YouTube: Tape Notes Podcast
Discord: Tape Notes
Patreon: Tape Notes
To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
Visit our website to join our mailing list: www.tapenotes.co.uk

TAPE NOTES TEAM
Will Brown - Executive Producer, Engineer & Editor
Tim Adam-Smith - Executive Producer
Will Lyons - Editor
Andy Tindall/Herbie Elton-Rowley - Videographer/Editors
Guy Nicholls - Production Assistant
Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.

To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).

In this episode, John catches up with Amber Bain aka The Japanese House, along with producers Chloe Kraemer and George Daniel to talk about how they wrote, recorded and produced the album ‘In The End It Always Does’.

Looking back on their time together, Amber, Chloe, and George guide us through the process of bringing each song to life. Alongside stories of misunderstood lyrics and dog walk writing sessions, they treat us to some of the most stunning first demos ever heard, as well as the spontaneous studio moments that left everyone in tears.

As well as digging into the processes that shape the sound of the record, the trio discuss the importance of people when making music. They give us insights on the effects that come with having different personalities in the room, and how their studio mindsets have allowed them to efficiently work together in all iterations of themselves.

Listen to find out why there should be more songs about pets, how insecurity can destroy productivity, and what the difference is between a lyric song and a music song. 

Tracks discussed: Boyhood, Sunshine Baby, One for sorrow, two for Joni Jones

LINKS TO EVERYTHING TAPE NOTES  

linktr.ee/tapenotes 

Listen to ‘In The End It Always Does’ here.

Intro Music - Sunshine Buddy, Laurel Collective   

GEAR MENTIONS

Output Portal

Soundtoys PrimalTap

Spectrasonics Omnisphere

Xfer Serum

Moog One

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 

Donate

Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on: 

Instagram: @tapenotes 

Twitter: @tapenotes 

Facebook: @tapenotespodcast  

YouTube: Tape Notes Podcast

Discord: Tape Notes

Patreon: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 

Visit our website to join our mailing list: www.tapenotes.co.uk

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Andy Tindall/Herbie Elton-Rowley - Videographer/Editors

Guy Nicholls - Production Assistant

Learn more about your ad choices. Visit megaphone.fm/adchoices