Building an Immersive Room: Small, Medium and Large - Mix Magazine Sound for Film & Television 2016

You don’t need a Hollywood-sized re-recording stage to create a compelling immersive soundtrack. But you do need to know the basic requirements of system design and setup—from console/DAW integration to monitor placement—to ensure that the tracks translate to the outside world. In this discussion, chief engineers, studio designers, system integrators and leading immersive manufacturers detail how to build small, medium and large immersive post-production spaces to fit any need.

Moderator: Jonathan Deans, CTO, Westlake Pro

Panelists:

Bill Johnston, VP of Engineering, Formosa Group

Nathan Oishi, Director of Engineering, Sony Pictures Studios

Jerry Steckling, CTO, JSX

Mark Binder, re-recording mixer

Tom Brewer, re-recording mixer

Brett Crockett, Vice President, Sound Technology Research and Development, Dolby

Peter Chaikin, JBL

This podcast is brought to you in part by RØDE Microphones – providing premium audio products at an accessible price, enabling people around the world to achieve their creative goals. With mics for studio, video-recording and podcasting; you’re bound to find the mic you need. To find out more visit www.rode.com