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The Warehouse became a hub for the people of Chicago, specifically black gay men. It was compared to a religious and spiritual experience. At the time, many black gay men felt excluded from the religious communities that they had been raised in. This contributed to the culture created at the Warehouse. It was a place where people could be open and "this sexual openness enabled the club to be unusually free of aggression”.

Chicago house was a specifically black gay genre in many ways for many years and the Warehouse was a specific space that cultivated that scene in a safe way. Black music was at the heart of the disco era and it is impossible to separate the roots of disco from the disenfranchised queer people of color that flocked to it.