Ghost in the Shell (dir. Rupert Sanders)
Reel Review
English - April 08, 2017 00:01 - 1 hour - 103 MB - ★★★★★ - 8 ratingsTV & Film Arts Visual Arts characters entertainment movie race television aubreyhicks bedrosian bedrosiancenter cinema critique Homepage Download Apple Podcasts Google Podcasts Overcast Castro Pocket Casts RSS feed
This film has sparked controversy on its casting choices, with many critics claiming another instance of Hollywood whitewashing due to film’s Japanese manga. We discuss the nature of remakes, the whitewashing controversy, whether the film adds to the Ghost world, and Scarlett Johansson.
The futuristic sci-fi film Ghost in the Shell is directed by Rupert Sanders and based on the acclaimed Japanese Manga of the same name, written and illustrated by Masamune Shirow. It takes place in a futuristic alternate reality and follows a cyber-enhanced super soldier as she searches for a hacker as part of an anti-terrorism squad. The film stars Scarlett Johansson as Major, the first of her kind, human brain (ghost) encapsulated in an entirely cybernetic / synthetic body (shell).
In a world where terrorism has reached new levels, the film offers an interesting view of a potential evolutionary path for humans – where the lines between technology and biology are blurred almost beyond recognition, with the very question of what makes someone human at stake.
Is Ghost in the Shell the perfect conversation starter for the cultural moment?
Warning: *spoilers!*
Featuring Alessandro Ago, Meiling Cheng, Jonathan Schwartz, Aubrey Hicks, and Erroll Southers
Special thanks to Dean Jack Knott, USC Price; Dean David Bridel, USC School of Dramatic Arts; and Dean Elizabeth Daley, USC Cinematic Arts for their support of this interdisciplinary conversation.
The Price Projection Room (PPR) features engaging conversations about film and television with interesting folks and USC experts from across disciplines (public policy, governance, theatre, and cinema) to look at visual storytelling, media literacy, diversity, and the public good.
Sponsored by:
USC Price Video Services
http://www.usc.edu/pvs
USC Bedrosian Center
http://bedrosian.usc.edu
Content Partners:
USC School of Dramatic Arts
https://dramaticarts.usc.edu/
USC School of Cinematic-Arts
https://cinema.usc.edu
Recorded at the USC Sol Price School of Public Policy
http://priceschool.usc.edu