Biography DUNCAN LAURIE has undergraduate and graduate degrees in art from the University of Pennsylvania. From the mid 1970s to the early 2000s he produced architectural glass design commissions for a wide variety of individuals and businesses while living in New York City and Jamestown, Rhode Island. His clients include Blackrock Financial Management, 9 West, […]


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Biography

DUNCAN LAURIE has undergraduate and graduate degrees in art from the University of Pennsylvania. From the mid 1970s to the early 2000s he produced architectural glass design commissions for a wide variety of individuals and businesses while living in New York City and Jamestown, Rhode Island. His clients include Blackrock Financial Management, 9 West, Milbank Tweed Hadley & McCloy, Citicorp Executive Center, Anne Klein II, Electra Records, Estée Lauder, Readers Digest Fund, Lincoln Square N.Y.C., Sky Tokyo, United Overseas Bank Singapore, Lane Crawford Stores, Ratheon Corporation, Capital Cities ABC, and many other individuals and companies throughout the world. In 1980 the late Richard J. Reynolds III introduced Laurie to the world of alternative technology and inventors. Thus began a learning curve whereby the world of art and subtle energy technology slowly began to reveal their commonalities of function and purpose. More


Our interview in part focuses on Duncans book:


THE SECRET ART: A Brief History of Radionic Technology for the Creative Individual traces this astonishing process beginning with early art designs suggestive of radionic intent. For many prehistoric and indigenous peoples, art was also a means of interacting with Nature to enhance healing, increase crop yields, and enable visionary experiences. Coincidentally, radionic inventors discovered by trial and error that even drawings and bizarre technology could function radionically. This discovery followed a long process of design innovation that started with mechanical devices, proceeded through a generation of electronic instruments, and most recently has been applied to computer and software technology. Conceivably, the theory and techniques outlined in this book could provide artists with a revolutionary approach to the creative process that is at once both new and timeless. A potential exists today for radionic ideas to empower creative individuals to develop skills in working with Nature that achieve profound real world results.


Radionics, an alternative healing technology, is explored as a methodology for visual art and design. Radionically based tools and techniques are presented that lend themselves to experimental art and multi-media praxis.


The history of radionics is the story of how various inventors designed devices that employ directed intent to affect the real world. With these tools, they promoted healing without pills or surgery, grew crops without fertilizer, restrained insect predation without pesticides, and performed a host of other seemingly impossible feats that defy mechanistic science.


Show Links

Interview – YouTube

https://youtu.be/wegZO5yR6pQ


Interview – Brandnewtube

https://brandnewtube.com/v/91UPBb


Interview – BitChute

https://www.bitchute.com/video/pxws38IdZSb0


Interview – Brighteon

https://www.brighteon.com/be215559-720d-48b5-9cc1-d0f83195d26f


Interview – iTunes

https://itunes.apple.com/us/podcast/radiant-creators/id1252852387


Interview – MP3

Download complete show as an MP3 by right-clicking here and choosing “save as”.


Social Media

Website

https://www.duncanlaurie.com


Facebook

https://www.facebook.com/DragonlineStudios


SoundCloud

https://soundcloud.com/duncanlaurie


Vimeo

https://vimeo.com/duncanlaurie


Media Mentioned During Interview

The Secret Art: A Brief History of Radionic Technology for the Creative Individual

https://amzn.to/2QtmfyU



Gregg Museum artist talk, Duncan Laurie

https://youtu.be/0lKFPNQeHNQ


Rockstar (Rock – Responds to Touch)

https://youtu.be/PXuDi_2dbR8


Dragonline Big Rock Maine 110907 (on SoundCloud)

https://soundcloud.com/duncanlaurie/dragonline-big-rock-maine

Sounds derived from a large granite stone, part of the ancestral home in Jamestown, Rhode Island. Copper leads were affixed to the stone with molten zinc from a thermal arc sprayer. “The stone proved very active that evening, providing us with a long, uninterrupted recording opportunity, especially in the area of 7-9Hz, the area of the Earth’s resonant frequency.


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The post Duncan Laurie – The Secret Of Inspired Art And Radionics Part 2 appeared first on Radiant Creators.

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