This week’s episode covers Animation, Motion Design, 2D, 3D, Studios, Teams, Creative Direction and Community. Host Blair Walker explores all of these topics and the reality of projects at the high end of the market. Also what makes Buck, well Buck.


 


Show Notes: Compiled by Matt Lloyd


00.50 - Introducing Buck


01.50 - Gareth’s history with Buck.


02.50 - The company culture of Buck


05.55 - The shift from social life with the firm to becoming a family man


07.00 - The maturing of the motion design industry is changing the aspirations of motion designers: “the all-nighter” is not a badge people are aspiring to any more, just the opposite in fact.


07.30 - Growth of the Sydney team


08.30 - Is the difference in time zones between Sydney/NYC/London a drawback?


09.10 - The reality of working with remote freelancers


10.30 - The makeup of the Sydney Buck team


11.14 - Lucas Brooking


11.52 - Woolmark piece by Buck


14.00 - Blockchain explainer video for the government of Dubai.


18.00 - How hard is it to keep “lifting the bar”, bettering yourself?


19.00 - The creative impetus provided by competition with your coworkers, and for the love of the work


20.24 - How do you manage a project as large as Blockchain? Buck Sydney’s design process explained.


24.00 - They use a Google Sheet to track their progress


24.45 - The importance of learning to take constructive criticism.


25.15 - Slack groups as a source of constructive criticism.


25.45 - Gareth finds it hard to keep up with Slack groups outside of the Buck one.


29.30 - Buck presentation at Node


30.45 - Holden project, Nike Athlete


32.00 - The importance of the personal side of the motion industry


35.00 - Passion projects at Buck


35.50 - Blend title sequence


36.20 - Woolmark was approached as a passion project: what they provided was way more than the budget really afforded.


36.40 - Goodbooks metamorphosis was taken on as a passion project and ended up influencing the company’s style for an entire year


37.10 - Does Buck do bread and butter jobs?


39.00 - How important is typography to Buck’s creative process?


41.00 - Designing for social media: focus on the medium, or the piece itself overall?


42.00 - Buck’s piece for Aperol at the tennis open in Melbourne


44.00 - Assembly’s piece for the Auckland Harbour bridge


44.30 - Johnny Kofoed episode of the Pro Video Podcast


 


45.05 - Pro Video Picks:


Get to work early, so I can get home early and see my kids!


47.00 - The difficulty of only seeing your kids at bedtime


 


48.00 - Inspirational Video:


Spring Jam by Ned Wenlock


River Studies by Ned Wenlock


 


50.00 - Sources Of Inspiration:


Podcasts


eg Serial, The Atlanta Monster, This American Life, Reply All


 

...

This week’s episode covers Animation, Motion Design, 2D, 3D, Studios, Teams, Creative Direction and Community. Host Blair Walker explores all of these topics and the reality of projects at the high end of the market. Also what makes Buck, well Buck.


 


Show Notes: Compiled by Matt Lloyd


00.50 - Introducing Buck


01.50 - Gareth’s history with Buck.


02.50 - The company culture of Buck


05.55 - The shift from social life with the firm to becoming a family man


07.00 - The maturing of the motion design industry is changing the aspirations of motion designers: “the all-nighter” is not a badge people are aspiring to any more, just the opposite in fact.


07.30 - Growth of the Sydney team


08.30 - Is the difference in time zones between Sydney/NYC/London a drawback?


09.10 - The reality of working with remote freelancers


10.30 - The makeup of the Sydney Buck team


11.14 - Lucas Brooking


11.52 - Woolmark piece by Buck


14.00 - Blockchain explainer video for the government of Dubai.


18.00 - How hard is it to keep “lifting the bar”, bettering yourself?


19.00 - The creative impetus provided by competition with your coworkers, and for the love of the work


20.24 - How do you manage a project as large as Blockchain? Buck Sydney’s design process explained.


24.00 - They use a Google Sheet to track their progress


24.45 - The importance of learning to take constructive criticism.


25.15 - Slack groups as a source of constructive criticism.


25.45 - Gareth finds it hard to keep up with Slack groups outside of the Buck one.


29.30 - Buck presentation at Node


30.45 - Holden project, Nike Athlete


32.00 - The importance of the personal side of the motion industry


35.00 - Passion projects at Buck


35.50 - Blend title sequence


36.20 - Woolmark was approached as a passion project: what they provided was way more than the budget really afforded.


36.40 - Goodbooks metamorphosis was taken on as a passion project and ended up influencing the company’s style for an entire year


37.10 - Does Buck do bread and butter jobs?


39.00 - How important is typography to Buck’s creative process?


41.00 - Designing for social media: focus on the medium, or the piece itself overall?


42.00 - Buck’s piece for Aperol at the tennis open in Melbourne


44.00 - Assembly’s piece for the Auckland Harbour bridge


44.30 - Johnny Kofoed episode of the Pro Video Podcast


 


45.05 - Pro Video Picks:


Get to work early, so I can get home early and see my kids!


47.00 - The difficulty of only seeing your kids at bedtime


 


48.00 - Inspirational Video:


Spring Jam by Ned Wenlock


River Studies by Ned Wenlock


 


50.00 - Sources Of Inspiration:


Podcasts


eg Serial, The Atlanta Monster, This American Life, Reply All


 


53.00 -  Following Online:


Glenn Miralles -  instagram


 


53.45 - Follow Gareth Online:


Web: buck.tv


Instagram: buck_design


Twitter: buck_tv


Tumblr: buckdesign.tumblr.com


Vimeo: buck


Facebook: buck.tv


 


Pro Video Podcast Online:


Blair Walker - Twitter


Pro Video Podcast - Slack


Pro Video Podcast - Facebook Group


Pro Video Podcast - Twitter


Pro Video Podcast - Website


Pro Video Podcast - Spotify


WorldPodcasts.com


 

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