Paranoia. Grenzerfahrungen elektronischer Musik im Kontext von Iannis Xenakis’ Schaffen artwork

Rodolphe Bourotte: Limits and perspectives of the computer-assisted sound drawing experience

Paranoia. Grenzerfahrungen elektronischer Musik im Kontext von Iannis Xenakis’ Schaffen

English - June 27, 2012 13:34 - 27 minutes - 347 MB Video
Performing Arts Arts Music ianns xenakis paranoia symposium maryanne amacher williams mix extended neue musik performance musique concrète upic john cage Homepage Download Apple Podcasts Google Podcasts Overcast Castro Pocket Casts RSS feed
Previous Episode: Daniel Teige: Dead or alive: Performance and interpretation aspects on Xenakis Polytopes today!
Next Episode: Werner Dafeldecker, Valerio Tricoli: Williams Mix Extended

Context: Where does the motivation for a tool such as UPIC come from?

History: We will have a short look at the history of the UPIC, and then at ten years of software innovations in a post-CEMAMu world.

Today: What tools do we dispose of now, when thinking graphically about sound?

tomorrow: Xenakis ideas were generally implemented in separate, independent programs. We will dicuss about integration two of them, sieves and stochastic sound, into a graphical editor.