There’s a lot packed into this episode, Slushies, including sibilance and balancing gravity with a light touch. Differing perspectives and the resonance of history, both real and mythical, cascade through a trio of poems by Danielle Roberts. Jason worries that his erudition has collapsed momentarily, Kathy loves the rush of wanting to immediately re-read a poem, and Samantha reminds us of an Anne Carson line: “Aristotle says that metaphor causes the mind to experience itself in the act of making a mistake.” Oh, and Marion brings to life the idea of hearing a baby’s cries in the ceiling when she recounts living in the apartment below a family with newborn triplets!


 


Links to things we discuss that you may dig:


Jeanann Verlee’s Helen Considers Leaving Troy


George Eliot’s Middlemarch


Anne Carson’s Essay on What I Think About Most


Elizabeth Bishop’s Collected Letters


Jason Schneiderman’s How the Sonnet Turns: From a Fold to a Helix, APR Volume 49, Issue 3


British Antarctic Survey: Ice cores and climate change


The Norton Reader


Smartless Podcast (Jason Bateman, Sean Hayes, Will Arnett)


This episode is brought to you by our sponsor Wilbur Records, who kindly introduced us to the artist is A.M.Mills whose song “Spaghetti with Loretta” now opens our show. 


At the table: Kathleen Volk Miller, Marion Wrenn, Samantha Neugebauer, and Jason Schneiderman


   



Danielle Roberts is a queer poet from California. Her work has appeared or is forthcoming in Atlanta Review, DMQ Review, Okay Donkey, Prairie Schooner, Reed Magazine & others. When not writing poetry, she can be found drinking too much tea & pestering the nearest cat. Read more of her at sonnetscribbler.com.


Socials: Instagram: @sonnetscribbler


   


How can I leave this behind?

after Jeanann Verlee’s Helen Considers Leaving Troy


 


after a floral gin cocktail


              Do I want to live and die my whole life here—


              buried in county lines—or is it time


              to stretch the map? There’s more


              to plan than simply running away.


while holding my niece


              Picking up the baby doesn’t help:


              I smell her hair & wonder if she thinks


              of me when I’m out of sight. Will she know?


              Her eyes stare into the distance


              along with mine. Maybe she travels


              in her dreams. Maybe she lives


              elsewhere.


while eating dinner


              Gorging myself on routine, I chew bread & think


              about the bagels in New York. I live these sour-


              dough rituals—oven baked in centuries


              of families. A young tradition bound by water


              on all sides. They say it’s in the water.


              Doubtful, I gnaw on my nails.


when people ask if I’ll have kids


              Come on, Karen—I just blew up


              my life & you’re asking if I’m ready


              to be a sacred vessel? The only answer


              I can give is to flee far away


              from anyone who had dreams


              for me or thought I could be


              marriage material. Go where


              all folks care about is which street


              I live above in the gridlocked graph


              or whether I’m walking fast enough. Blend.


              It would be easier than questions of barreness.


when my ex wants to get back together


              Absolutely not.


from the freeway exit


              Behind the wheel of my car, I carve trenches


              again—circle and retrace my path—map


              the small universe on foot, pace my cage.


              Maybe I take to the night sky


              or simply head east until I hit water.


              Gorges and grooves heal, scarred


              cutting board life. Do I keep driving?


              Where do I even go from here?


              These dreams that weren’t mine


              festering in my wake. What city takes


              such hazardous rot? How do I leave


              my family behind? How


              do I tell them I’m already gone?


 


Extracting memories[1]

Speak to me in layered tongues of bitten snow, slow


molars carved with frost collected in the valleys between your teeth. The scientist bores a core—


plucks the long memory from each glacier—this meter holds your first bicycle ride, this


a bridal veil of volcanic ash from Pompeii, six cylinders of centuries trespass


the sterile air—blink at the unforgiving sun. From the dentist chair, you look


up at the light and this persistent body shrinks—cracked with age


and use. Our indestructible jaws crumble with heat, losing


enameled eons to inaction, forgetting to stitch our gums


with floss. It’s far too late to mend our habits


now: best to preserve what we can. Each


line, a thought pulled out of context—


precious archive of time before tales.


We transcribe the answers to


our final test without


any chance of


knowing the


questions.


 


Reassurance

1—


My cat startles & I tell her nothing


bad is happening, but


we both know that’s a lie


on a large enough scale.


She hears the neighbors’ doors


slam, the child in the ceiling crying


like an injured mouse. She knows footfalls


on the landing lead to the uninvited


lead to us coaxing her to accept


strangers in her home. She knows


the rush of sirens down Oak or shouts


from the narrow park must mean something


in the same way we all know


that one thing always leads


to another.


She turns a pale eye towards me as if to say


just because it’s not happening to me


doesn’t mean it’s not happening.


2—


As we wade into the cold mountain


lake, my sister promises me


nothing’s going to touch your feet—maybe


some grass or a fish, but I’ve never seen anything bad


here. She shifts the baby to her other hip & walks


deeper. Her husband rows away from the widening rings


of sunscreen filming the top of the swampy water, oil slick


of caution. I know she loves me.


Later, I scramble onto the inflatable raft & hold


the baby & my breath. My sister stays rooted


in the water—extracting the implanted


leeches from between my toes—doesn’t


glance down at her own feet. Not even once.


Her husband saw the signposts on the shore & told


no one. He thought they didn’t apply anymore:


he’s never noticed anything in the waters.


3—


My boss sends a message before an important meeting


to ask if I can still lead in light of the news. I reassure him


yes, I’m in California—I’m not affected for now.


In the crowded room,


the men make small talk,


but have nothing to say.


 


[1] Ice cores and climate change - British Antarctic Survey