Kartik Nair, "Seeing Things: Spectral Materialities of Bombay Horror" (U California Press, 2024)

1980s Bombay was a time when a wave of low-budget, gory horror films made by independent film producers such as the Ramsay Brothers swept the B-movie market. Kartik Nair's book Seeing Things: Spectral Materialities of Bombay Horror (U California Press, 2024) is about the sudden cuts, botched makeup effects, continuity errors, and celluloid damage found in these movies. Kartik Nair reads such "failures" as clues to the conditions in which the films were made, censored, and seen, offering a view from below of the world's largest film culture. By combining close analysis with extensive archival research and original interviews, Seeing Things reveals the spectral materialities informing the genre's haunted houses, grotesque bodies, and graphic violence.
Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. 
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1980s Bombay was a time when a wave of low-budget, gory horror films made by independent film producers such as the Ramsay Brothers swept the B-movie market. Kartik Nair's book Seeing Things: Spectral Materialities of Bombay Horror (U California Press, 2024) is about the sudden cuts, botched makeup effects, continuity errors, and celluloid damage found in these movies. Kartik Nair reads such "failures" as clues to the conditions in which the films were made, censored, and seen, offering a view from below of the world's largest film culture. By combining close analysis with extensive archival research and original interviews, Seeing Things reveals the spectral materialities informing the genre's haunted houses, grotesque bodies, and graphic violence.

Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. 

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