Daphne A. Brooks, "Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound" (Harvard UP, 2021)

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University Press, 2021) by Dr. Daphne Brooks is a lyrical masterpiece that takes readers on an exhilarating journey through a century of Black sound from Bessie Smith to Beyoncé. In writing alongside the sistas who cared for Black women's musicianship like Pauline Hopkins and Janelle Monaé, Brooks casts contemporary performers as archivists, acclaimed writers as sound theorists, record label originators as music critics, and fans as the vital keepers of Black sound. Brooks’ liner notes are a “requiem” for the oversight of Black women musicians and their intellectual resonance, powerfully uncovering their sonic, visual, and kinesthetic innovations through a Black feminist conceptual lens. On each step of the journey, Brooks presents Black sound women as radical intellectuals, as the creators of modernity, and as the fierce leaders of revolutionary world-making.
Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall.
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Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Harvard University Press, 2021) by Dr. Daphne Brooks is a lyrical masterpiece that takes readers on an exhilarating journey through a century of Black sound from Bessie Smith to Beyoncé. In writing alongside the sistas who cared for Black women's musicianship like Pauline Hopkins and Janelle Monaé, Brooks casts contemporary performers as archivists, acclaimed writers as sound theorists, record label originators as music critics, and fans as the vital keepers of Black sound. Brooks’ liner notes are a “requiem” for the oversight of Black women musicians and their intellectual resonance, powerfully uncovering their sonic, visual, and kinesthetic innovations through a Black feminist conceptual lens. On each step of the journey, Brooks presents Black sound women as radical intellectuals, as the creators of modernity, and as the fierce leaders of revolutionary world-making.

Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall.

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