BONUS: Brooke Wentz on "Transfigured New York: Oral Histories From Experimental Artists and Musicians, 1980-1990"

Who smoked more: academics like John Cage, La Monte Young and Vladamir Ussachevsky- or the underground scenesters, like Glenn Branca, Arthur Russel and Laurie Anderson?
Why is turntablist Christian Marclay on the cover of "Transfigured New York," but not in the book, even though she interviewed him multiple times? Could AI design be to blame?
How did the old guard of "New Music" feel about the commodification of computer-based music production four decades ago?
In the 1980s, Brooke Wentz hosted a radio show in the middle of the night that focused on experimental music, which was developing all around her in New York City. Over the course of a decade, many of the artists Brooke played on that show would join her in the studio. Her journalism days are through, (now she works on the business side of the industry) but she has just released a book with selected interviews back in the day called “Transfigured New York: Interviews with Experimental Artists and Musicians," available now from Columbia University Press. This may be a bit of a shock to you, but I’ll say it- I’m a big fan of oral history interviews, and I’m a big fan of experimental music. I’m pleased to feature Brooke and her work here today, which includes a couple of clips from her interviews (with Morton Subotnik and John Lurie, respectively). She joins me today from a working holiday somewhere in Mexico.
The artwork for this episode is a drawing by my kid Camille, based on a photo from "back when" sent to me by today's guest. Terrific. Many thanks.
Low Profile is stoked to be a part of the Ruinous Media network. This show is also supported directly by you on Patreon ( patreon.com/lowprofile ) Low Profile also receives in-kind support from these independent Olympia businesses: Schwart’z Deli, San Francisco Street Bakery, Old School Pizzeria, Rainy Day Records and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company.
More on the book: http://cup.columbia.edu/book/transfigured-new-york/9780231558631

Instagram: Brooke @seven_seas_music and Markly @lowpropodcast

Facebook Community: Low Profile Listener Hub

Patreon (donation-based bonus content+goods): patreon.com/lowprofile

Who smoked more: academics like John Cage, La Monte Young and Vladamir Ussachevsky- or the underground scenesters, like Glenn Branca, Arthur Russel and Laurie Anderson?

Why is turntablist Christian Marclay on the cover of "Transfigured New York," but not in the book, even though she interviewed him multiple times? Could AI design be to blame?

How did the old guard of "New Music" feel about the commodification of computer-based music production four decades ago?

In the 1980s, Brooke Wentz hosted a radio show in the middle of the night that focused on experimental music, which was developing all around her in New York City. Over the course of a decade, many of the artists Brooke played on that show would join her in the studio. Her journalism days are through, (now she works on the business side of the industry) but she has just released a book with selected interviews back in the day called “Transfigured New York: Interviews with Experimental Artists and Musicians," available now from Columbia University Press. This may be a bit of a shock to you, but I’ll say it- I’m a big fan of oral history interviews, and I’m a big fan of experimental music. I’m pleased to feature Brooke and her work here today, which includes a couple of clips from her interviews (with Morton Subotnik and John Lurie, respectively). She joins me today from a working holiday somewhere in Mexico.

The artwork for this episode is a drawing by my kid Camille, based on a photo from "back when" sent to me by today's guest. Terrific. Many thanks.

Low Profile is stoked to be a part of the Ruinous Media network. This show is also supported directly by you on Patreon ( patreon.com/lowprofile ) Low Profile also receives in-kind support from these independent Olympia businesses: Schwart’z Deli, San Francisco Street Bakery, Old School Pizzeria, Rainy Day Records and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company.

More on the book: http://cup.columbia.edu/book/transfigured-new-york/9780231558631

Instagram: Brooke @seven_seas_music and Markly @lowpropodcast

Facebook Community: Low Profile Listener Hub

Patreon (donation-based bonus content+goods): patreon.com/lowprofile