“Inside joke.” A great line. A provocative line. A dangerous line. Through some uncharacteristically straightforward expository scenes, this episode pulls back enough to give us the best view yet of the chess board. The game is afoot, our survivors are pawns, and presumably, despite the Man In Black’s plan to quit the island, there’s another […]

“Inside joke.” A great line. A provocative line. A dangerous line. Through some uncharacteristically straightforward expository scenes, this episode pulls back enough to give us the best view yet of the chess board. The game is afoot, our survivors are pawns, and presumably, despite the Man In Black’s plan to quit the island, there’s another showdown brewing. Yet, is it just a game? A battle between two eternal rivals? On many levels, this makes sense. Since Season 1, we’ve envisioned the entire show as an epic, but simple, contest between two sides. But will it be enough? Jen’s worried it may not be. I’m expecting there’s much more to the story.


The Man in Black is trapped. He sees only futility. He says Jacob is wasting lives to protect an island that doesn’t need protecting. Yet as he says this, we think immediately of the sunken island we saw in the premiere. Perhaps the island is not so invincible. And could its destruction bring about a greater, even global, calamity? Possibly.


Do we want this Man In Black running amok in the real world, in any case? Probably not.


Meanwhile, as we piece together this conflict, it’s less obvious that either Jacob or the Man In Black is noble, or good, or right. Jacob has certainly destroyed many lives in the name of protecting the island. And when The Man In Black learns that Jacob never gave Richard the whole story, his sympathy seems real. Neither player seems innocent. The scale with the black and white stones was a nearly too literal illustration of the balance between both sides. A balance that the Man In Black has apparently disrupted. And a balance that I think will prove to be necessary. No matter how frustrated or flawed, whatever forces Jacob and the Man In Black represent, we probably need them both to stick around.


Who was the young boy who appeared in the jungle? My daughter, fixated on his blonde hair, says Aaron… apparently through yet another twist in the space-time continuum. Maybe he was an embodiment of Jacob, in his original or now recycled form. But the way he reminded the Man In Black of the rules, and the way the Man In Black protested with Locke’s signature line, made me think he may actually represent something bigger, or on a higher plane, than MIB and Jacob.


Or maybe he’s just “special” in the way Walt was, giving some hope that there might be some explanation as to what was going on with him throughout the first half of the series.


We also see “The Numbers.” As MIB said, Jacob has a thing for numbers, and each of our iconic numbers is assigned to one of our survivors, who are merely the latest batch of “candidates.” There are other names on the cave wall, with different numbers, all crossed out. Is this the extent of the explanation we’ll get for the numbers? As someone who thought “The Numbers” might just be a McGuffin, I’m fine with that. But I’m hoping there’s just a little more to them.


The dialogue and flashbacks suggest that “Shepherd” is Jack, though it’s fun to think it could mean Christian, or Claire, or even Ray. The stated ambiguity of Kwon (Sun or Jin) is an interesting twist. And if we’re willing to entertain the thought that the boy in the forest is Aaron, why not add Ji Yeon to the list of possible name interpretations. Not depicted in the cave wall roll call? Austen. I’m not sure if that means anything, though, since there were a lot of names we didn’t see, and there were a lot of people on Oceanic 815 that probably didn’t make the list.


And MIB crossed out Locke, his current — and apparently semi-permanent — human form. He explains to Richard that he took Locke’s form to get to Jacob… but I don’t think that was “the loophole,” since it was Ben who did the stabbing. I also figure this can’t be the first time MIB took the form of a “candidate.” I really like the theory a listener shared on our “LA X” podcast that “the loophole” meant Jacob could only be killed by someone carrying his essence (i.e. Ben, infused in the temple spring). I still think, however, it has something to do with who’s the “leader” at any given time. “Unlocke” was allowed inside Jacob’s lair because everyone thought he was the real Locke and thus the island’s current leader, but the highest ranking person was actually Ben, who was therefore capable of killing him.


What does it mean, though, that MIB is “stuck” looking like Locke? He did change into smoke monster form in the premiere, and apparently again tonight in the eerie island flyover. (They definitely cranked up the mechanical elements of the smoke monster’s sound.) If he just can’t look like another person, can he still become a horse? An inanimate object?


The interplay between Sawyer and “Unlocke” was great. As many predicted last week, Sawyer with nothing to lose is a dangerous thing indeed. Having him allied with MIB makes things much more interesting, and I suspect we’ll see more of our survivors choosing different sides. Yet, for all MIB says about Jacob manipulating people, he conned Sawyer pretty good himself. Tapping into his vulnerabilities, offering answers, and even saving his life. It seems clear that dramatic ladder sequence on the cliffside was orchestrated by MIB to earn his trust.


Notes and Notions:

It was nice to see Jacob’s off-island visits with our survivors pay off, but really, Jacob’s “master plan” to push all of them to the Island was only introduced in the Season 5 finale. I’m hoping the writers do a little more, and reach a bit further back, to illustrate that they knew where everything was going from the beginning. Until then… it’s still interesting to note that some of his visits were pre-crash, and some were after the Oceanic 6 returned. Why?
The off-island stuff is still surprisingly compelling. Locke living with Helen, but ready to give up miracles? A wedding where his father would be welcome? An alarm clock that sounds like the Swan hatch? Hurley slams Randy and offers Locke a lifeline. We see both Hurley’s psychic and Rose at the temp agency. And Benjamin Linus as a whiny European History teacher was spot on.
On the “miracles” question, we’re of two minds. On one hand, it seems like Locke’s life off the island is devoid of worth and meaning. Yet what Rose and Helen tell him aren’t exactly “give up.” The message seems more an argument for reason, practicality, comfort and peace. He rips up Jack’s card because he’s done resenting his disability and daydreaming, and ready to start living.
Jen asked if Locke somehow never saw Rose on Oceanic 815. It would’ve been great for there to be a glimmer of recognition in their scene together, which of course could be interpreted different ways.
The temp agency scene? That was filmed in my office. They took over our entire IT department. Take a look at all the detail work that went into setting up the cubicles shown briefly in the background… even though you didn’t see any of it on screen!
Other locations: Locke’s house with Helen is on Alelo Street in Waikele, literally across the street from the home Locke inspected for Nadia. The box company office where Randy fired Locke was in the Hawaiian Telcom building downtown. The parking lot where Locke met Hurley is behind the Gentry Pacific Design Center in Iwilei, across the street from my office. For details, check out my new site, LOST Locations.
Books & Music: It was great to hear Sawyer talk about “Of Mice and Men” again. And Jen was impressed in Sawyer’s punk rock playlist: “Search and Destroy,” by Iggy and the Stooges.

What did you think? Please share your thoughts on “The Substitute” (Episode 6×04)! Commenting below is the best way to have your say. You can also email us at [email protected], or call the LOSTline at (815) 310-0808.