On today’s episode, I have a look at the role of the electric guitar in jazz. Why does the guitar in jazz mean something so different from what it means in rock music? Also, my Blue Note 4000 Series continues with a look at four more albums. 

Jazzopath is released on Fridays and you can check out the show notes for every episode at jazzopath.com/podcast.

As always, I really appreciate your thoughts, suggestions, and feedback about the show. Don’t hesitate to hit me up at jazzopath.com/contact! You can also reach out to me via Instagram @jazzopath.

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Music

"Jazzopath Theme" 
Written and performed by Billy D
©2021 Jazzopath

"Punjab"
Written by Kenny Dorham
Performed by Joe Henderson
©1965 Blue Note Records


Part 1: Why Does the Electric Guitar Have a Different Meaning in Jazz?

Related article from jazzopath.com.


Part 2: The Blue Note 4000 Listening Project

4010, Bennie Green, Walkin’ & Talkin’ (1959)

Bennie Green (tb), Eddie Williams (ts), Gildo Mahones (p), George Tucker (b), Al Dreares (d)Recorded by Rudy Van Gelder at Van Gelder Studio, Hackensack, NJ, January 25, 1959Originally released May 1959

4011, Jimmy Smith, The Sermon (1959)

Jimmy Smith (or), Lee Morgan (tp), Lou Donaldson (as), Tina Brooks (ts), George Coleman (ts), Kenny Burrell (g), Eddie McFadden (g), Art Blakey (d), Donald Bailey (d)Recorded by Rudy Van Gelder at Manhattan Towers, August 25, 1957 & February 25, 1958Originally released December 1959

4012, Lou Donaldson and The Three sounds, LD + 3 (1959)

Lou Donaldson (as), Gene Harris (p), Andrew Simpkins (b), Bill Dowdy (d)Recorded by Rudy Van Gelder at Van Gelder Studio, Hackensack, NJ, February 18, 1959Originally released October 1959

4013, Jackie McLean, New Soil (1959)

Jackie McLean (as), Donald Byrd (tp), Walter Davis, Jr. (p), Paul Chambers (b), Pete La Roca (d)Recorded by Rudy Van Gelder at Van Gelder Studio, Hackensack, NJ, May 2, 1959Originally released August 1959

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