This week on the Richard Crouse Show we meet director Brett Morgen and producer Debra Eisenstadt of the film “Moonage Daydream,” an impressionistic look at the life and work of iconic artist David Bowie, now playing in theatres.

Bowie led one of the most eclectic show business careers of the last sixty years. He was a seeker, an artist whose work flirted with everything from mime and music to acting and art. He was never less than a free thinker who valued artistic joy over fame.

Morgen’s film emphasizes the restless spirit that defined David Bowie, but don’t buy a ticket expecting a cradle-to-grave “Behind the Music” style expose. This is an experience, a collage of sound and vision, that over the two-and-a-quarter-hour running time creates a portrait that doesn’t attempt to define the artist as much as it does to illuminate his ever-changing philosophical mindset. To achieve this Morgen mixes never-before-seen footage and performances, forty remastered songs spanning the singer’s entire career and, as narration, excerpts from fifty years of Bowie interviews.

There are no talking heads or re-enactments, and neither is this one long music video. It’s an ephemeral collection of ideas and images with a solid intellectual underpinning, a philosophical edge and an emotional component for diehard Bowie fans. It also has a good beat and you can dance to it… most of it anyway.

We also get to know Ke Huy Quan, the star of the most aptly titled movie of the year, “Everything Everywhere All at Once.” You can say a lot of things about “Everything Everywhere All At Once” but you can’t say you’ve ever seen anything quite like it before. An eye-popping reflection on the power of kindness and love to heal the world’s problems, it is exhilarating that mixes and matches everything from family drama and tax problems to martial-arts and metaphysics into a whimsical story that moves at the speed of light. The result is a singular film that milks intentionality out of its madness.

What does all that mean? Stick around as I chat with one of the film’s stars Ke Huy Quan. You know him as Short Round, the plucky kid companion to Indiana Jones in The Temple Of Doom and from a role in cult classic comedy-adventure The Goonies. We’ll talk about why he chose to return to acting in “Everything Everywhere All at Once” after a twenty-year break from Hollywood.