Check the windows in your teleportation pod because we're heading up to Toronto to discuss all the gooey goodness in David Cronenberg's seminal horror remake The Fly! Joining us is Bloody Disgusting's lead critic (and co-host of The Bloody Disgusting Podcast): Meagan Navarro!
Join us as we trace the film's journey from page to screen (rewrites, Mel Brooks, tragedy and Total Recall) before discussing the film's possible AIDS allegory and, of course, all the praise for the film's outstanding and Oscar-winning special effects.
Plus, respect for the film's handling of abortion (in 1986, no less) normalizing the cock and references to Zenon: The Zequel and Cube 2: Hypercube. Hey, it wouldn't be a Cronenberg discussion if it wasn't weird!
References:

William Beard. The Artist as Monster: The Cinema of David Cronenberg

Willow Maclay and Caden Gardner. Body Talk:Conversations on Transgender Cinema

Ernest Mathijs. AIDS References in the Critical Reception of David Cronenberg. Cinema Journal, Summer, 2003, Vol. 42, No. 4

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners
> Trace: @tracedthurman
> Joe: @bstolemyremote
> Meagan: @HauntedMeg / @bdisgustingpod / The Fly Article: [It Came From the ‘80s] Oscar Winning Makeup and Creature Effects Transformed ‘The Fly'
Be sure to support the boys on Patreon! 
And please take this reader survey (http://bloody-disgusting.com/podcastsurvey) before August 31st!
Hosted on Acast. See acast.com/privacy for more information.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Check the windows in your teleportation pod because we're heading up to Toronto to discuss all the gooey goodness in David Cronenberg's seminal horror remake The Fly! Joining us is Bloody Disgusting's lead critic (and co-host of The Bloody Disgusting Podcast): Meagan Navarro!

Join us as we trace the film's journey from page to screen (rewrites, Mel Brooks, tragedy and Total Recall) before discussing the film's possible AIDS allegory and, of course, all the praise for the film's outstanding and Oscar-winning special effects.

Plus, respect for the film's handling of abortion (in 1986, no less) normalizing the cock and references to Zenon: The Zequel and Cube 2: Hypercube. Hey, it wouldn't be a Cronenberg discussion if it wasn't weird!

References:


William Beard. The Artist as Monster: The Cinema of David Cronenberg

Willow Maclay and Caden Gardner. Body Talk:Conversations on Transgender Cinema

Ernest Mathijs. AIDS References in the Critical Reception of David Cronenberg. Cinema Journal, Summer, 2003, Vol. 42, No. 4

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd and/or Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

> Meagan: @HauntedMeg / @bdisgustingpod / The Fly Article: [It Came From the ‘80s] Oscar Winning Makeup and Creature Effects Transformed ‘The Fly'

Be sure to support the boys on Patreon

And please take this reader survey (http://bloody-disgusting.com/podcastsurvey) before August 31st!


Hosted on Acast. See acast.com/privacy for more information.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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