Dr. Sheril Antonio is an Associate Arts Professor in the
department of Art and Public Policy and the Associate Dean of the
Kanbar Institute of Film & Television. From 2008/9,
she served as the chair of the Clive Davis Department of Recorded
Music and was that department'€™s inaugural chair in 2003/4. She
also served as chair of the Graduate Film Program in
2001/2 and for two years from 2013/15 the interim chair of
the Goldberg Department of Dramatic Writing.


Her courses include Anatomy of Difference: The Other in
Film, The World Through Art, and Language of Film. She
received Curricular Development Challenge Grants for
two courses: Issues in Contemporary African-American Cinema (taught
1992-1995) and The Summer Film &
Video Program for High School Students (designed in collaboration
in 1995). She is an advisor and frequent lecturer
whose presentations include: a live online debate about the movie
Precious with Stanley Crouch; The Double Down Film Show,
Future Filmmakers Workshop; Advisory Board of
Ghetto Film
School
,
The Cinema High School
;
and the NAACP. She has been interviewed for
television, radio, and print, including Studio 360: Girls on Film
and WNYC 93.9FM, Orpheus: to Hell and Back.


The
Clive Davis Institute
- is the first and only
program of its kind to provide professional business and artistic
training toward a BFA in Recorded Music. We aim to provide students
with the necessary skills — business, creative, and intellectual —
so that they might emerge as visionary creative entrepreneurs in
the evolving music industry.


Ghetto Film School -
Article in the New York Times 
Young
Moviemakers Meet Old Masters at the Frick


Dr. Antonio is the author of
Contemporary African American Cinema,
2001.
Her other works include: Do Hollywood Films Truly Reflect
Life in America?; a feature essay for the inaugural issue
of Black Camera: The Urban-Rural Binary in Black American
Film and Culture, Indiana University Press 2009,
New Black Cinema: When Self-Empowerment Becomes
Assimilation, Bertz Verlang, 2006; and Matriarchs,
Rebels, Adventurers, and Survivors: Renditions of Black Womanhood
in Contemporary African American Cinema, Sight & Sound,
Supplement, July 2005; as well as blogs for
Huffington
Post
and Stackstreet.


EDUCATION


NEW YORK UNIVERSITY

DOCTOR OF PHILOSOPHY, CINEMA STUDIES

MASTER OF FINE ARTS, LIBERAL STUDIES

BACHELOR OF FINE ARTS, FILM & TELEVISION




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