Racial Affect

Oishani Sengupta talks about the felt experiences of racism, especially as they are represented in Victorian literature and its contemporary readership, which is the subject of her research. The conversation ranges from the novels of H. Rider Haggard and Charles Dickens to the felt experience of caste, as analyzed in the work of scholars like Junaid Shaikh.
Oishani Sengupta (@oishani on Twitter) is a PhD candidate at the University of Rochester exploring histories of racial affect and visual print culture in the nineteenth century British empire. Also the project coordinator of the William Blake Archive, she looks closely at racist illustration practices and their central role in colonial politics.
Image: Cover of the first French edition of H. Rider Haggard’s King Solomon’s Mines
Music used in promotional material: ‘Last Sigh’ by Holy Pain
Learn more about your ad choices. Visit megaphone.fm/adchoices

Oishani Sengupta talks about the felt experiences of racism, especially as they are represented in Victorian literature and its contemporary readership, which is the subject of her research. The conversation ranges from the novels of H. Rider Haggard and Charles Dickens to the felt experience of caste, as analyzed in the work of scholars like Junaid Shaikh.

Oishani Sengupta (@oishani on Twitter) is a PhD candidate at the University of Rochester exploring histories of racial affect and visual print culture in the nineteenth century British empire. Also the project coordinator of the William Blake Archive, she looks closely at racist illustration practices and their central role in colonial politics.

Image: Cover of the first French edition of H. Rider Haggard’s King Solomon’s Mines

Music used in promotional material: ‘Last Sigh’ by Holy Pain

Learn more about your ad choices. Visit megaphone.fm/adchoices