Songwriter, producer, engineer and programmer Ed Buller reflects on meeting The Psychedelic Furs (and a young Hans Zimmer) when working in a music shop in London, working with Pulp as the Britpop movement kicked off in the ‘90s, and clears up what really happened with Suede during those fraught recording sessions. Buller worked with Zimmer later in life on the soundtracks for Chappie, Little Prince, Boss Baby, Dunkirk, and the new Lion King film; he gets candid about those experiences, and reveals why he thinks it won’t be long before all composers are using Steinberg’s Dorico Pro 4 music notation and composition application.