Matthew Lloyd, cinematographer for Spider-Man: Far From Home, takes us behind the scenes of the film and shares techniques for lighting and shooting massive visual effects scenes. 

Matthew and Go Creative Show host, Ben Consoli, discuss working in Marvel’s Cinematic Universe, using pre-vis to prep for shots with VFX, creating Spider-Man’s holographic world, plus Matt’s camera and lens choice, his experience with commercial and fashion filmmaking, audience questions and so much more!

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What you will learn in this episode Working on a film in the Marvel Cinematic Universe Matt’s involvement during location scouting for SPIDER-MAN: FAR FROM HOME The value of Pre-Vis for VFX scenes Creating the holographic world The camera and lenses used on SPIDER-MAN: FAR FROM HOME Creating the look for SPIDER-MAN: FAR FROM HOME Why every VFX shot has at least one practical element Filming the swinging Spider-man shots Matt’s commercial and fashion cinematography Tips on how to become a cinematographer Go Creative Show audience questions And more! The Go Creative Show is supported by: Premium Beat Rule Boston Camera Hedge Shutterstock Magnanimous Rentals PremiumBeat.com Song of the Week Bleeding Gums by Brightside Studio Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio
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