2021.10.25 – 0298 – Purposeful Mis-Intonation

It’s similar in this e-learning script: “Human beings inhales mainly oxygen and exhales mainly carbon dioxide…” – we might normally say ex-HALE, but because of its contrast with an earlier word we say EX-hale.

 

And on this government website: “… whether it’s national or international trade…” – instead of the more usual pronunciation of inter-NATIONAL, we say INTER-national so it contrasts with the NATIONAL mentioned previously.

 

Or this training ‘pitch’ video: “We have supported personal growth in teams of various sizes, at profit and non-profit organisations…” – if you were asked who you worked for you might reply that it was a NON-PROFIT group. In this context, you keep the colour on the NON and erase it from the PROFIT, so the NON stands out in the context of the sentence.

 

Or with this eco company: “Our mantra is to use and re-use…” - usually you may say that you re-USE your teabags, but the contrast here distracts that, to sound natural, you lift then prefix RE instead.

 

On a school ‘behaviour’ notice for pupils: “Be helpful rather than unhelpful…” – if the sentence was “all children are unhelpful”, the weight would be “unHELPful”. To signpost the sense in this sentence though, you are contrasting the balance between those who are assisting and those who are not, by colouring it thus: UNhelpful.

 

 

Remember:

·        You are not reading words on a page.

·        You are not reading sentences.

·        You are trying to get over a meaning, through meaningful intonation.

 

 Audio recording script and show notes (c) 2021 Peter Stewart

 

Through these around-5-minute episodes, you can build your confidence and competence with advice on breathing and reading, inflection and

projection, the roles played by better scripting and better sitting, mic techniques and voice care tips... with exercises and anecdotes from a career

spent in TV and radio studios. If you're wondering about how to start a podcast, or have had one for a while - download every episode!

 

And as themes develop over the weeks (that is, they are not random topics day-by-day), this is a free, course to help you GET A BETTER

BROADCAST, PODCAST AND VIDEO VOICE.

 

Look out for more details of the book during 2021.

 

Contacts: https://linktr.ee/Peter_Stewart

 

Peter has been around voice and audio all his working life and has trained hundreds of broadcasters in all styles of radio from pop music stations such as Capital FM and BBC Radio 1 to Heart FM, the classical music station BBC Radio 3 and regional BBC stations. He’s trained news presenters on regional TV, the BBC News Channel and on flagship programmes such as the BBC’s Panorama. Other trainees have been music presenters, breakfast show hosts, travel news presenters and voice-over artists.

 

He has written a number of books on audio and video presentation and production (“Essential Radio Journalism”, “JournoLists”, two editions of “Essential Radio Skills” and three editions of “Broadcast Journalism”) and has written on voice and presentation skills in the BBC’s in-house newspaper “Ariel”.

 

Peter has presented hundreds of radio shows (you may have heard him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional radio) with formats as diverse as music-presentation, interview shows, ‘special’ programmes for elections and budgets, live outside broadcasts and commentaries and even the occasional sports, gardening and dedication programmes. He has read several thousand news bulletins, and hosted nearly 2,000 podcast episodes, and is a vocal image consultant advising in all aspects of voice and speech training for presenters on radio and TV, podcasts and YouTube, voiceovers and videocalls.

 

The podcast title refers to those who may wish to change their speaking voice in some way. It is not a suggestion that anyone should, or be pressured into needing to. We love accents and dialects, and are well aware that how we speak changes over time. The key is: is your voice successfully communicating your message, so it is being understood (and potentially being acted upon) by your target audience?

 

This podcast is London-based and examples are spoken in the RP (Received Pronunciation) / standard-English / BBC English pronunciation, although invariably applicable to other languages, accents and dialects.

 

Music credits:

"Bleeping Demo" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/7012-bleeping-demo

License: https://filmmusic.io/standard-license

 

"Beauty Flow" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/5025-beauty-flow

License: https://filmmusic.io/standard-license

 

"Envision" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/4706-envision

License: https://filmmusic.io/standard-license

 

"Limit 70" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/5710-limit-70

License: https://filmmusic.io/standard-license

 

"Rising Tide" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/5027-rising-tide

License: https://filmmusic.io/standard-license

 

"Wholesome" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/5050-wholesome

License: https://filmmusic.io/standard-license

 



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