2021.06.23-0174 – Proof Reading

Proof reading

Done your script? Now proof read – read it out to test it out.


Yes, if you or someone is going to read it out loud then that’s the process you have got to go through first – to hear it in your ears and not just your head.


Check for the things we’ve been talking about: grammar, spelling and flow (so, the pace and the rhythm of the piece).


Layout

One of the skills you will need to develop is knowing how to work with scripts that are unhelpfully structured, too formal, badly or confusingly written or simply badly placed on the page?


Really..?!


Being greeted with a chunk of text is like being shouted at.


It’s easier to mark up a script, and to read, if you can easily spot where sentences start and finish. It helps with basic things like breath control and intonation.


White space is your friend, my friend!


So consider basics like paragraphs rather than run-on sentences. Also, new sentences on new lines and double-spacing of lines and plenty of margins so the voice-over or presenter to make additional notes or changes. That will help them read more fluently, and so lead to better communication.


All this will allow the reader to mark up the sentences into the different thoughts and ideas within it.


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Audio recording script and show notes (c) 2021 Peter Stewart



Through these around-5-minute episodes, you can build your confidence and competence with advice on breathing and reading, inflection and projection, the roles played by better scripting and better sitting, mic techniques and voice care tips... with exercises and anecdotes from a career spent in TV and radio studios. If you're wondering about how to start a podcast, or have had one for a while - download every episode!



And as themes develop over the weeks (that is, they are not random topics day-by-day), this is a free, course to help you GET A BETTER BROADCAST, PODCAST AND VIDEO VOICE.



Look out for more details of the book during 2021.



Contacts: https://linktr.ee/Peter_Stewart



Peter has been around voice and audio all his working life and has trained hundreds of broadcasters in all styles of radio from pop music stations such as Capital FM and BBC Radio 1 to Heart FM, the classical music station BBC Radio 3 and regional BBC stations. He’s trained news presenters on regional TV, the BBC News Channel and on flagship programmes such as the BBC’s Panorama. Other trainees have been music presenters, breakfast show hosts, travel news presenters and voice-over artists.



He has written a number of books on audio and video presentation and production (“Essential Radio Journalism”, “JournoLists”, two editions of “Essential Radio Skills” and three editions of “Broadcast Journalism”) and has written on voice and presentation skills in the BBC’s in-house newspaper “Ariel”.



Peter has presented hundreds of radio shows (you may have heard him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional radio) with formats as diverse as music-presentation, interview shows, ‘special’ programmes for elections and budgets, live outside broadcasts and commentaries and even the occasional sports, gardening and dedication programmes. He has read several thousand news bulletins, and hosted nearly 2,000 podcast episodes, and is a vocal image consultant advising in all aspects of voice and speech training for presenters on radio and TV, podcasts and YouTube, voiceovers and videocalls.



The podcast title refers to those who may wish to change their speaking voice in some way. It is not a suggestion that anyone should, or be pressured into needing to. We love accents and dialects, and are well aware that how we speak changes over time. The key is: is your voice successfully communicating your message, so it is being understood (and potentially being acted upon) by your target audience?



This podcast is London-based and examples are spoken in the RP (Received Pronunciation) / standard-English / BBC English pronunciation, although invariably applicable to other languages, accents and dialects.



Music credits:


"Bleeping Demo" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/7012-bleeping-demo


License: https://filmmusic.io/standard-license


 


"Beauty Flow" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5025-beauty-flow


License: https://filmmusic.io/standard-license


 


"Envision" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/4706-envision


License: https://filmmusic.io/standard-license


 


"Limit 70" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5710-limit-70


License: https://filmmusic.io/standard-license



"Rising Tide" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5027-rising-tide


License: https://filmmusic.io/standard-license


 


"Wholesome" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5050-wholesome


License: https://filmmusic.io/standard-license



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