2021.06.20-0171 – Sing-Song Scripts

Sing-song scripts

Sentences of varying length will help you avoid a sing-song rhythm and incorrect intonation (with the emphasis on the repetition of a beat rather than where it’s meant). That means that longer sentences like this one, are often made up of a series of phrases which can be subtly read as a ‘unit’, as long as the correct intonation is kept.


Read this story and see if you can spot a problem.


 A fire has torn through a factory in Manchester. Thirty firefighters were sent to the scene this morning. It broke out on Henderson Driveway at one am. Police say one person has been reported missing.

 

Each sentence has exactly the same number of syllables, 13. That will make it difficult to read in anything but a repetitive sing-song voice, with a push on the final word every time. Better to re-write it to vary the sentence length and structure.

 

In fact as I was writing this book I spotted another great example:

 

At least ten police cars are outside Marks & Spencer in Walton on Thames tonight. The force says it's trying to work out what happened there this afternoon. Police tape is up on Church Street and forensic officers are on the scene. Unconfirmed reports say two air ambulances were called out. Surrey police are promising to issue an update as soon as possible.


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Audio recording script and show notes (c) 2021 Peter Stewart



Through these around-5-minute episodes, you can build your confidence and competence with advice on breathing and reading, inflection and projection, the roles played by better scripting and better sitting, mic techniques and voice care tips... with exercises and anecdotes from a career spent in TV and radio studios. If you're wondering about how to start a podcast, or have had one for a while - download every episode!



And as themes develop over the weeks (that is, they are not random topics day-by-day), this is a free, course to help you GET A BETTER BROADCAST, PODCAST AND VIDEO VOICE.



Look out for more details of the book during 2021.



Contacts: https://linktr.ee/Peter_Stewart



Peter has been around voice and audio all his working life and has trained hundreds of broadcasters in all styles of radio from pop music stations such as Capital FM and BBC Radio 1 to Heart FM, the classical music station BBC Radio 3 and regional BBC stations. He’s trained news presenters on regional TV, the BBC News Channel and on flagship programmes such as the BBC’s Panorama. Other trainees have been music presenters, breakfast show hosts, travel news presenters and voice-over artists.



He has written a number of books on audio and video presentation and production (“Essential Radio Journalism”, “JournoLists”, two editions of “Essential Radio Skills” and three editions of “Broadcast Journalism”) and has written on voice and presentation skills in the BBC’s in-house newspaper “Ariel”.



Peter has presented hundreds of radio shows (you may have heard him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional radio) with formats as diverse as music-presentation, interview shows, ‘special’ programmes for elections and budgets, live outside broadcasts and commentaries and even the occasional sports, gardening and dedication programmes. He has read several thousand news bulletins, and hosted nearly 2,000 podcast episodes, and is a vocal image consultant advising in all aspects of voice and speech training for presenters on radio and TV, podcasts and YouTube, voiceovers and videocalls.



The podcast title refers to those who may wish to change their speaking voice in some way. It is not a suggestion that anyone should, or be pressured into needing to. We love accents and dialects, and are well aware that how we speak changes over time. The key is: is your voice successfully communicating your message, so it is being understood (and potentially being acted upon) by your target audience?



This podcast is London-based and examples are spoken in the RP (Received Pronunciation) / standard-English / BBC English pronunciation, although invariably applicable to other languages, accents and dialects.



Music credits:


"Bleeping Demo" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/7012-bleeping-demo


License: https://filmmusic.io/standard-license


 


"Beauty Flow" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5025-beauty-flow


License: https://filmmusic.io/standard-license


 


"Envision" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/4706-envision


License: https://filmmusic.io/standard-license


 


"Limit 70" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5710-limit-70


License: https://filmmusic.io/standard-license



"Rising Tide" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5027-rising-tide


License: https://filmmusic.io/standard-license


 


"Wholesome" Kevin MacLeod (incompetech.com)


Licensed under Creative Commons: By Attribution 4.0 License


http://creativecommons.org/licenses/by/4.0/


Link: https://incompetech.filmmusic.io/song/5050-wholesome


License: https://filmmusic.io/standard-license



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