In Part 1 of Women and Wool Working in the Ancient Roman
Empire
,
we discussed the practical matters of textile production in domestic
and commercial contexts. In this second episode, we look at the
performative ways that textile production was used to construct
women's identities. This includes the incorporation of textile tools
and production into rites of passage such as marriage, childbirth, and
death as a symbol of the virtuous matron. We further discuss
religious use and association of textile production through the
stories of the Fates, Arachne, and the Virgin Mary. We then come
around to weave the rest of the narrative together: could the piece
that fits in the women-shaped hole of textile production in ancient
Rome be... women?

This episode is dedicated in loving memory of Laura Callahan-Hazard
and Sigrid Steinbock, both enthusiastic supporters of Morgan's
dissertation, themselves both textile artists, and who both had wanted
to read Morgan's dissertation but left this world too soon.

Links:

Morgan's dissertation

Episode 34: Women and Wool Working in the Ancient Roman Empire, Part 1

Trinkl, Elisabeth. 2004. "Zum Wirkungskreis einer kleinasiatischen Matrona anhand ausgewählter Funde aus dem Hanghaus 2 in Ephesos." In Jahreshefte des Österreichischen archäologischen Instituts in Wien. 73:281-303

Roman version of the Arachne Myth by Ovid, The Metamorphoses VI Content Warning: suicide, oblique mentions to rape, gods being jerks to mortals

Roman description of the three fates or Parcae by Catullus, 64, scroll down to line 305.

Roman version of the Europa Myth by Ovid, The Metamorphoses, II, 833-875 Content Warning: abduction, gods taking other forms to seduce women, gods being jerks to mortals

A summary of the mythology of Leda and the Swan, very brief Roman summary in Hyginus, Fabulae 77, scroll down to § 77. Content Warning: rape, gods taking other forms to seduce women, gods being jerks to mortals

Roman version of the Danae Myth by Hyginus, Fabulae 63, scroll down to § 63. Content Warning: rape, gods taking other forms to seduce women, gods being jerks to mortals