Fifteen Minute Film Fanatics
270 episodes - English - Latest episode: 19 days ago - ★★★★★ - 21 ratingsTwo friends with strong opinions watch films separately then discuss them on the show for the first time. Can their friendship survive? Join Mike and Dan as they discuss one film each episode--and in only fifteen minutes, give or take a few. There are no long pauses, pontifications, or politics--just two guys who want to share their enthusiasm for great movies. On Twitter. On Letterboxd. Email: [email protected].
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Episodes
Pan’s Labyrinth
April 08, 2024 08:00 - 21 minutesIn 1965, Bob Dylan teased the squares by stating, “Something is happening but you don’t know what it is.” The same could be said for childhood and Pan’s Labyrinth (2006) is a film that takes childhood seriously—as opposed to the way it is usually portrayed in big-budget, effects-laden films. Join us for a conversation about a film sometimes compared to the work of C. S. Lewis but one we find is more like that work of Miguel de Cervantes and Hayao Miyazaki. If you’re interested in learning mor...
Saboteur
April 01, 2024 08:00 - 17 minutesSaboteur, released in 1942, feels like it was conceived, written, filmed, and edited in the three days between Pearl Harbor and Germany’s declaring war on the United States. The villains are vaguely “totalitarian” and their goals seem to be mere anarchy rather than the political ends of any specific nation, but they spark the derring-do of a hero who wants to preserve the same things as Superman did: truth, justice, and the American way. Everyone knows that, like another film would twenty-fou...
Eternal Sunshine of the Spotless Mind
March 25, 2024 08:00 - 29 minutesIf we could undergo a procedure that would erase the painful memories from our lives, would we do it? That seems to be the question of Eternal Sunshine of the Spotless Mind (2004) until we realize that we’re asking the wrong question. The real question this film asks is why wouldn’t such a procedure ever work? Join us for a conversation about Michel Gondry’s mind-bending film that is a completely different experience when you’re 20 versus when you’re 40. Go ahead and give it a listen–then vis...
Defending Your Life
March 18, 2024 08:00 - 23 minutesWe are supposed to get smarter as we get older. Do we? If the meaning of your life had to be found in nine representative days, which days would you choose? Are they the same days that your critics would select? Would you live your life differently if you had to watch yourself years later a big screen? Would you think you were as cool as you do now if you had to see yourself as a cold observer does? Defending Your Life, Albert Brooks’s version of A Matter of Life and Death, asks all of these ...
Magic
March 11, 2024 08:00 - 26 minutesMagic is misdirection, and Richard Attenborough and William Goldman do a terrific job of misdirecting the audience in this 1978 thriller. Like The King of Comedy and Limelight, the film looks at the desperation of people who want to be recognized; unlike those films, there’s nothing funny about the hero’s struggle. Join us for a conversation about a film so unsettling that even the TV spot (featured at the start of the episode) caused people to run from their living rooms. So put down the dum...
Baby Face
March 04, 2024 09:00 - 17 minutesBaby Face is the 1933 film that created the archetypal Barbara Stanwyck character and famously laid everything bare before the production code tried to clean up Hollywood. It’s direct and “against interpretation”—but that’s what makes it so compelling. Join Tim and Dan for a conversation about how the film speaks to our current moment regarding agency, exploitation, and climbing the corporate ladder. It’s also a lot like Richard III. This may have been the first of Barbara Stanwyck’s big role...
Conan the Barbarian
February 26, 2024 09:00 - 29 minutesIt’s easy for some people to laugh at Conan the Barbarian, John Milius’s 1982 film about Robert E. Howard’s most famous creation: it seems like the cinematic equivalent of middle-schoolers playing Dungeons and Dragons. But this is an honest (as in “unpretentious”) film with ideas: the pagan existentialism of Thulsa Doom, the theology of Subatai, and the difference between soldiers and warriors are all offered for the viewer’s consideration. It’s also oddly countercultural and conservative in ...
Tucker: The Man and His Dream
February 19, 2024 09:00 - 24 minutesA genuine crowd-pleaser that couldn’t please enough crowds in 1988, Tucker: The Man and His Dream has finally found an audience. Tim defends 80s Coppola and calls out critics who dismissed his post-Godfather II output; Dan talks about the film’s enthusiasm for its subject and how that enthusiasm helps the viewer feel like those who find themselves in any great leader’s orbit. Steve Jobs, Elon Musk, Wordsworth, and Emerson all find their way into the conversation. Larry David may want us to cu...
The Hunting Trilogy
February 12, 2024 09:00 - 21 minutesWe all know the rules of the Looney Tunes universe: rabbits can outrun bullets, shots to the face don’t kill, and the laws of gravity don’t always apply. But that universe is still very much like our own, in which we all strive to be like Bugs Bunny, but are really like Daffy Duck. If there’s an aesthetic of frustration, Chuck Jones is its Shakespeare. Join us for a conversation about Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck!—the three cartoons that comprise what’s called “The Hu...
Limelight
February 05, 2024 09:00 - 29 minutesBeing lighthearted and amusing can be a painful business. That’s one of the themes of Limelight, Charlie Chaplin’s 1952 portrait of the artist as an older man. It’s like a combination of The Red Shoes and Death of a Salesman, with elements of The Entertainer and The King of Comedy. Join Mike and Dan for a conversation about the ways in which art and love prove to be antidotes to poisonous despair. If you like Charlie Chaplin, visit the New Books Network and listen to Dan’s interview of Scott ...
Anatomy of a Fall
January 29, 2024 09:00 - 33 minutesWe all know the rules of courtroom dramas. We welcome the confusion we feel during the case and the sense of release upon hearing the jury’s decision: this is true in Witness for the Prosecution, Anatomy of a Murder, and, of course, The Verdict. But what if the feeling of disorientation that we enjoy in the middle of these films was heightened and then examined by the director as a subject on its own? Join Mike and Dan for a conversation about Anatomy of a Fall, Justine Triet’s terrific film ...
My Best Fiend
January 22, 2024 09:00 - 27 minutesWerner Herzog is a filmmaker with an intuitive sense for showing the right thing at the right time, whether he is offering the story of a maniacal conquistador, Count Dracula, or himself eating his own shoe. Klaus Kinski was, according to many, more monster than man and an actor who resembled the megalomaniacs he portrayed. Together, Herzog and Kinski made five films. Kinski died in 1991; in 1999, Herzog released the documentary My Best Fiend about their relationship. The film combines the ra...
Eyes Wide Shut
January 15, 2024 09:00 - 38 minutesIn a past episode in which they discussed the films of Tom Cruise, Mike told Dan, “You’re the smartest person I know who ever made it all the way through Eyes Wide Shut.” After reading a forthcoming biography of Stanley Kubrick, Dan returned to the film and urged it on Mike, who rewatched it, but who still finds it a total failure. Dan thinks it’s a sobering and startling portrayal of a man exiled from his own Eden—a fool’s Paradise—while Mike finds every element and deviation from establishe...
The Omen
January 08, 2024 09:00 - 28 minutesCan a film do everything wrong yet still find its defenders, who not only acknowledge each of the film’s faults but find these faults endearing? Such is the case with Mike and The Omen, the 1976 Richard Donner blockbuster that—like Satan himself—has spawned sequels, remakes, and imitations. Dan tries to point out all the things that are bad about The Omen, but Mike spins each one into a perverse mark of greatness and claims that the film somehow rises above them in its high seriousness. Wheth...
Meet John Doe
January 01, 2024 09:00 - 31 minutesHave you seen that other Capra film in which the protagonist in a moment of crisis, attempts suicide on Christmas Eve? Join Mike and Dan for a conversation about Meet John Doe (1941), a film Frank Capra made five years before It’s a Wonderful Life and which shares that film’s celebration of the common man—the John Doe—living and working and dying across the country. We know we’d all be better off—and the country would be in better shape—if we acted like the people in the John Doe Clubs, so wh...
The Sting
December 25, 2023 09:00 - 21 minutesThere’s nothing like being conned at the movies. Join Mike and Dan as they talk about George Roy Hill’s beautifully-constructed toy, The Sting. Dan explains how the long con in the film is like a theatrical production and how con games and films are similar forms of art. Mike revs up with a rant about why Pauline Kael is overrated, continues with one about how Robert Shaw is underrated, and finally claims that anyone who doesn’t like The Sting needs to sit in a room for thirty minutes and ree...
Donnie Darko
December 18, 2023 09:00 - 31 minutesIf we had seen Donnie Darko in high school, we would been drawn to the Easter eggs throughout the film and made videos in which we pointed them out with big red arrows. But there’s more to this tale of time travel than a dorm-room discussion of free will vs. determinism: we now appreciate the ways in which Richard Kelly dramatizes teenage dread and the fear of one’s insignificance. Being a teenager often involves thinking that one’s personal dramas are like the end of the world—but what if th...
The Man Who Shot Liberty Valance
December 11, 2023 09:00 - 34 minutesHow should one deal with evil? What are people capable of doing when they are given unconstrained liberty? Why does democracy work when people run things physically away from the very people it wants to assist? These are a few of the questions that arise as one watches John Ford’s The Man Who Shot Liberty Valance (1962). Progress and civilization are wonderful—but the train that signals them also carries a lot of moral pollution. Join Mike and Dan for a dive into this perfect Western and hear...
Wild Strawberries
December 04, 2023 09:00 - 33 minutesWhat if you could receive the adulation and respect of strangers but not from your own family-or even yourself? In Wild Strawberries (1957), Ingmar Bergman dramatizes a journey into a man’s memories, insecurities, and fears in a way that may borrow the technique of Death of a Salesman but not its final scenes or the fate of its hero. For all we hear about the bleakness of Bergman’s vision, the film is ultimately affirming. The world screams, “Physician, heal thyself”—and he does! Join us for ...
I Know Where I’m Going!
November 27, 2023 09:00 - 21 minutesSamuel Johnson once asked, “What enemy would invade Scotland, where there is nothing to be got?” He must never have seen I Know Where I’m Going (1945). In their fifth examination of a Powell and Pressburger film, Mike and Dan talk about what makes this cinematic Scotland a more authentic place than England and how the film’s heroine gains maturity and depth once she abandons her itinerary. Dan brings up an American film he considers a sibling to this one; Mike praises the film’s economy; both...
Spirited Away
November 21, 2023 09:00 - 21 minutesWe are used to entering cinematic fantasy worlds in which we learn the rules of how the world works and then watch our hero navigate through it: think of Star Wars, Dune, The Matrix, and The Wizard of Oz, and Lord of the Rings. But Spirited Away (2001) works differently than these, with a logic that seems just out of reach and which we, like the hero, try to discern. Join Mike and Dan for an appreciation of a film about childhood that works like the real thing; the film feels as if it were cr...
Minority Report
November 13, 2023 09:00 - 22 minutesMinority Report (2002) is Exhibit A of how screenwriters love the premises of Philip K. Dick’s source materials and then adapt his core thought experiments into genres that get people in theatres. Mike and Dan discuss the ways in which Minority Report examines a thorny idea laden with ethical complexities while also offering Spielberg at his popcorn-selling best. We get serious questions about the ways in which solutions to enduring problems are bound by trade-offs and human fallibility—but w...
Point Blank
November 06, 2023 09:00 - 39 minutesIn 1962, Donald E. Westlake used the pseudonym Richard Stark and published The Hunter, the story of Parker, a betrayed thief who seeks vengeance with more determination than we see from the T-1000 in Terminator 2. Four years later, Lee Marvin starred in John Boorman’s Point Blank, an adaptation of The Hunter. The film renamed Parker to Walker, but also reimagined the revenge plot as one of a man unable to recover from trauma. Join Mike and Dan for an extra-long, extra-cool conversation with s...
Babette’s Feast
October 30, 2023 08:00 - 23 minutesIn 1965, Bob Dylan sang, “She’s got everything she needs; she’s an artist; she don’t look back.” About twenty years later, Gabriel Axel brilliantly dramatized this idea in Babette’s Feast (1987). A film as perfect as a film can be, Babette’s Feast treats the viewer to the pleasures of autotelic endeavors: things we do for their own sake because we enjoy them. Like last week’s film, Big Night, this one welcomes us to a big table in which a chef feeds others as a work of art. Mike and Dan also ...
Big Night
October 23, 2023 08:00 - 21 minutesSometimes, the idea for a film would work on paper—such is the case with Big Night (1996), a film that packs in as much real life a full novel. “Love” as a secret ingredient to a great recipe may be a cliché, but how else to explain the joy people get from cooking large meals for people they care about, gathered around a big table? Mike and Dan discuss how the two restaurants in the film offer two versions of success, why “foodies” can be irritating, and the beauty of actors who act without s...
Cutter’s Way
October 16, 2023 08:00 - 25 minutesThere may be some dated or downright silly elements of Cutter’s Way, Ivan Passer’s 1981 mystery—but what’s great about it outweighs any of its clumsiness and stays in the viewer’s memory. Not enough people know about John Heard’s performance as the unhinged, unlikable, yet undeniably compelling Alex Cutter; this film without any scenes of military conflict is one of the best about Vietnam. Join Mike and Dan for a conversation about the ways in which the title character resembles Captain Ahab ...
Lost in America
October 09, 2023 08:00 - 21 minutes“What makes something funny” is difficult to articulate, but Mike and Dan try with one of their favorite comedies, Albert Brooks’ Lost in America. His 1985 film about married professionals who yearn to hit the road (like they saw in Easy Rider) works because there’s nothing to rescue the viewer from the awkwardness and downward spiral of every scene. The characters’ conflicts and anxieties are hilarious—just not to them. Many of us have yearned to start life anew in a world elsewhere or live ...
The Vanishing
October 02, 2023 08:00 - 24 minutesIf you have seen Sluizer’s original 1988 thriller—not his 1993 American remake with Jeff Bridges and Kiefer Sutherland--you’ll know exactly why we are doing it as a companion piece to Rope. You’ll also nod along with us when we praise the film’s cold precision: it’s not surprising that Sluzier states in the opening clip that Stanley Kubrick admired the film and saw it ten times. Why we often tell people to watch films but to not read anything first about them, the thrill of assembling pieces ...
Rope
September 25, 2023 08:00 - 21 minutesRope (1948) may not be top-shelf Hitchcock, but that doesn’t mean it isn’t interesting and worth repeated viewings. After arguing back at those who find Jimmy Stewart miscast, Mike and Dan talk about how the film stands as another example of Hitchcock using violence to dramatize the sex lives of his characters. Mike lists the ways in which the director resembles the killer, specifically Brandon: a Nabokovian figure through which Hitchcock shows the audience what it’s like to have an artistic ...
Sorcerer
September 19, 2023 08:00 - 30 minutesIn 1973, William Friedkin terrorized the world with The Exorcist and then decided to make a film even more grim: a remake of George Clouzot’s The Wages of Fear. This was an audacious move, since the 1953 original was already well-loved and regarded as one of the most suspenseful films of all time. But Friedkin followed his muse and created Sorcerer (1977), which belongs in the pantheon of Great Underappreciated Films. Like The Exorcist, it’s a frightening peek into Hell; unlike that film, how...
The Blues Brothers
September 11, 2023 08:00 - 18 minutesJake and Elwood sing “Everybody Needs Someone to Love” and everybody loves The Blues Brothers: “You … me … them … everybody!” Join Mike and Dan for a conversation about John Landis’s 1980 film that has become movie comfort-food for people raised on the original SNL and others who have come to the film without any knowledge of John Belushi or Dan Ackroyd’s careers. So many comedy sketches fall flat when stretched into the length of a film, but Landis and Ackroyd avoided this when writing The B...
The Wages of Fear
September 04, 2023 08:00 - 27 minutesClouzot’s 1953 thriller may be the ultimate bait and switch, moving from a character study of four desperate men in limbo into one of the most suspenseful films ever made. The Wages of Fear shows us the triumph of human ingenuity much like Robinson Crusoe or Castaway, but it’s also a grim statement about how we all carry our deaths within us: the thing from which we try to flee every morning when we wake up is closer than we can imagine. Everything hangs by a thread, and Clouzot exposes that ...
In a Lonely Place
August 28, 2023 08:00 - 21 minutesHalfway through Casablanca, we learn why Rick Blaine is so cynical, angry, and embittered; we also feel glad at the end when he takes off his armor and begins that beautiful friendship. But how would we respond if we never learned why Rick acted as he does? The answer is that he’d be Dixon Steele, whom Bogart portrays so well in Nicholas Ray’s 1950 thriller In a Lonely Place. Join Mike and Dan for a conversation about a Bogart film they think deserves a wider audience and how it predicts what...
The French Connection
August 21, 2023 08:00 - 21 minutesHow much will a viewer tolerate? What if you took away all the quick and easy ways in which movies dole out information? What if you made the hero less-than-wholly-admirable and the villain less-than-wholly-terrible? Would audiences still come along for the ride in that brown Le Mans with Popeye Doyle as he tries to catch the sniper who missed him? William Friedkin bet that they would--and won. Join us for a conversation about The French Connection, the classic 1971 police procedural. Topics ...
California Split
August 14, 2023 08:00 - 26 minutes“Drifting” seems like a great word to describe many of Robert Altman’s films, especially California Split, his 1974 buddy film with Elliott Gould and George Segal as gamblers whose friendship is strengthened by their losses. But Mike argues that the film has a deep structure—and one based on a Disney film that we’ve all seen a hundred times. Elliott Gould’s special brand of cool, how gambling relies upon a combination of conviction and control, and the ways in which the film is as interested ...
Raging Bull
August 07, 2023 08:00 - 34 minutesWhat is it like to experience emotions without being able to identify their sources? What happens when a person feels intense self-loathing but cannot articulate why—even as his star rises? Join Mike and Dan for an extended conversation about Raging Bull, Martin Scorsese’s 1980 masterpiece and a film that it took the guys three years of podcasting to get the nerve to tackle. Dan explains why Raging Bull is a film that Flannery O’Connor would have admired; Mike talks about what happens when th...
The Great Dictator
July 31, 2023 08:00 - 23 minutesWhat’s the most edgy film you’ve ever seen—one that makes you uncomfortable and doesn’t tell you how to feel or react? We’d bet that it isn’t as close to the bleeding edge as Charlie Chaplin’s 1940 The Great Dictator, his first talkie and still highest-grossing film. Chaplin’s beloved Tramp fumbling with a soup spoon is one thing; his running from stormtroopers is quite another. Join Mike and Dan for a conversation about the issues raised in Chaplin’s greatest work as well as his bravery in m...
Mission Impossible: Dead Reckoning Part One
July 24, 2023 08:00 - 19 minutesEthan Hunt’s mission in this seventh installment of the series might seem as challenging as Tom Cruise’s: to get people back in theaters for an almost three-hour movie that they know won’t be resolved at the end. But is there anything Tom Cruise can’t do? Mike and Dan react to Dead Reckoning Part One and how it fits in the chain of the Mission Impossible films. Along the way, they talk about how Tom Cruise is like Jackie Chan, why creating the character of Gabriel lets the filmmakers have an ...
The Matrix
July 17, 2023 08:00 - 22 minutesDo you possess ideas—or do ideas possess you? Is it better to be Socrates dissatisfied than a pig satisfied? Why is The Matrix so universally loved by people of all political, moral, and philosophical attitudes? Mike and Dan plug into The Matrix, the action thriller that surprised everyone who saw it in 1999 as well as first-time viewers today. What would have happened if James Cameron had directed it, how the film resembles the best installment of the Star Wars films, and how Keanu Reeves de...
Ball of Fire
July 10, 2023 08:00 - 19 minutesWhen Mike casually remarked to Dan that he had just re-watched Ball of Fire, the 1941 Barbara Stanwyck / Gary Cooper screwball comedy co-written by Billy Wilder and directed by Howard Hawks, Dan replied that he had “always wanted to, but never gotten around to seeing it.” Mike made demands, Dan pressed play, and here’s their conversation about what it’s like when a friend takes one of your film recommendations and wholly enjoys it. They also talk about the ways in which dancing, slang, and fa...
Mulholland Drive
July 03, 2023 08:00 - 25 minutesDavid Lynch’s Mulholland Drive (2001) is in the same neighborhood as Billy Wilder’s Sunset Blvd and asks us to think about similar ideas: the power of self-delusion, the seductive nature of fame, and what happens to a dead dream. Join Mike and Dan for a conversation about what they call “red arrow videos” on YouTube and what good directors know about their audiences. We all know that movies are illusions—but we keep falling for them anyway. So grab that blue key and give it a listen! Just wat...
Stella Dallas
June 26, 2023 08:00 - 20 minutesStella Dallas, the star vehicle for Barbara Stanwyck, hinges on a thought experiment: if you knew that by pushing a button your child would be happy for the rest of her life—but the cost of this happiness was that you could never see her again—would you do it? Mike and Dan talk about King Vidor’s 1937 melodrama as an example of what movies do so well: getting viewers to understand why people make decisions that defy logic but which are emotionally reasonable. Mike calls Stella a character who...
Sunset Blvd
June 19, 2023 04:00 - 22 minutesHow would you handle years of adoration and fame? Do you think you’d still be, essentially, yourself but with a better car—or would you become a different person? Join Mike and Dan for a conversation about Sunset Blvd, Billy Wilder’s 1950 look at the movie industry, the drug of fame, and what happens when the public no longer buys what a star is selling. Norma Desmond may be a figure of fun—but she’s not wrong. Network, Some Like it Hot, and the biggest trial of 1995 all enter the discussion....
Heaven's Gate
June 12, 2023 08:00 - 38 minutesAfter the success of The Deer Hunter in 1978, Michael Cimino wrote and directed Heaven’s Gate, the 1980 film that has been grouped with Ishtar and The Bonfire of the Vanities as an example of artistic self-indulgence that led to financial disaster. The film was universally panned and Cimino’s career never recovered. Since then, Criterion has released Michael Cimino’s Heaven’s Gate, which corrects the technical errors in the hurried theatrical release and restores the film to its full run time...
Elephant Man
June 05, 2023 08:00 - 21 minutesGeorge Orwell said, "By fifty, every man has the face he deserves." To what degree does David Lynch's The Elephant Man (1980) respond to the idea that our appearances define our moral selves? Join Mike and Dan for a conversation about the ways in which the story of John Merrick resonates in contemporary reality-TV and how Meririck is trapped in a series of performances. There's a sense that Lynch does to Merrick what the characters--good and bad--do to him in the film: does Lynch get to use M...
The Long Good Friday
May 29, 2023 08:00 - 19 minutesCan a two-hour film accomplish what it takes several seasons of a TV show to do? We're talking to you, Sopranos. Join Mike and Dan for a conversation about John Mackenzie's The Long Good Friday (1980), a film that they call the "spiritual cousin" of The Sopranos and The Friends of Eddie Coyle. They talk about how the film avoids the intuitive trap of offering a day in the life of its protagonist and instead gives us a day of absolute crisis and the ways in which Harold is like many people hav...
Kiss Me Deadly
May 22, 2023 08:00 - 26 minutesMike has been badgering Dan for years to reevaluate Kiss Me Deadly, Robert Aldrich's now-canonical 1955 noir. Mike always loved it; Dan always thought it was overrated. Does he still think so after a fresh viewing? Join them for a conversation about how the history of a film's reception may only be partly due to the film's quality, the ways in which Kiss Me Deadly works like a dream, and the degree to which the Mike Hammer Universe differs from the MCU. Va-va-voom! Interested in reading the o...
The Killers
May 15, 2023 08:00 - 21 minutesCitizen Kane isn't the only film in which the lead character dies in the beginning and sets an audience in pursuit of what to make of his final moments. Mike and Dan talk about The Killers (1946), Robert Siodmak's adaptation of Ernest Hemingway's short story and a terrific noir, right down to the clackety-clack shoes. As a reformed English major, Mike talks about the "gimmick" of the film but also how that gimmick is easily defeated by Ava Gardner standing at the piano. Dan brings in John Don...
The Killers (1946)
May 15, 2023 04:01 - 19 minutes - 44.9 MBCitizen Kane isn't the only film in which the lead character dies in the beginning and sets an audience in pursuit of what to make of his final moments. Mike and Dan talk about The Killers (1946), Robert Siodmak's adaptation of Ernest Hemingway's short story and a terrific noir, right down to the clackety-clack shoes. As a reformed English major, Mike talks about the "gimmick" of the film but also how that gimmick is easily defeated by Ava Gardner standing at the piano. Dan brings in John...
Primer
May 08, 2023 08:00 - 25 minutesMike asks, "Have you ever seen a movie that tackles time travel better than Primer?" The answer is no. Tenet might handle it sexier, Back to the Future might handle it funnier, but no other film matches Primer as a compelling thought experiment. Join Mike and Dan for a conversation about "red arrow videos" on YouTube, the ethics of time travel, and the ways in which--all considerations about timelines and the box aside--the film examines the question of how we spend our days. We know you've h...