This month’s podcast is an experimental music experiment. Inspired by Al Margolis’ concept for podcast #57, and the desire/necessity to collaborate with musicians in distant locations, REMOTE VARIATIONS was born. Here’s how it works: I recorded an improvised piece, keeping in mind that it would be sent to a collaborator (or in this case, two … Continue reading Errant Space Podcast 62: Remote Variations 1 →

This month’s podcast is an experimental music experiment. Inspired by Al Margolis’ concept for podcast #57, and the desire/necessity to collaborate with musicians in distant locations, REMOTE VARIATIONS was born.


Here’s how it works: I recorded an improvised piece, keeping in mind that it would be sent to a collaborator (or in this case, two collaborators) to add to in any way they wanted. After the collaborator has finished with what I sent them, they take inspiration from that experience and create a new piece which they send to me to add to. Those pieces then go together to form the podcast.


My two (remote) collaborators this month were Irman Peck (Philadelphia, PA) and Michael Lowe (Denver, CO).


Irman Peck at Xfest 2020

Irman starts the podcast adding subtle synthesizers to the piece I sent him. Then around 15:45 we get more abstract with Irman’s response piece where he returns to his primary instrument, bass.


Michael Lowe (L) and Dean Sharp in 2011, this was the first time I met these guys!

Things begin to get glitchy and textural around 31:30 when Michael adds guitar to the piece I sent to him. Its fascinating how different two people’s response to the same piece of music can be! At 47:38 Michael’s response piece starts, which I add to on baritone guitar to close out the podcast.

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