Daniel Earwicker
39 episodes - English - Latest episode: about 13 years ago - ★★★★★ - 11 ratingsCovers and stuff like that
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Episodes
Blur - Beetlebum
February 19, 2011 13:20 - 4.3 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Dubstar - Anywhere (Chorus Excerpt)
February 19, 2011 13:20 - 1020 KBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Dubstar - It's Clear
February 19, 2011 13:20 - 3.04 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Heaven Knows the World is Upside Down in My Eyes Now
February 19, 2011 13:20 - 5.11 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Medley: Bowie ABC Frankie Chic
February 19, 2011 13:20 - 2.7 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Rufus and Chaka Khan - Ain't Nobody (Alternate Bassline)
February 19, 2011 13:20 - 4.05 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Talking Heads - Cities
February 19, 2011 13:20 - 2.37 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Beatles - Not A Second Time
February 19, 2011 13:20 - 2.76 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Beatles - She Said She Said
February 19, 2011 13:20 - 2.53 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Divine Comedy - Going Downhill Fast
February 19, 2011 13:20 - 3.33 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Housemartins - Sitting On A Fence Riff
February 19, 2011 13:20 - 2.35 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Lovin' Spoonful - Darlin' Companion
February 19, 2011 13:20 - 2.92 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Police - Message In A Bottle
February 19, 2011 13:20 - 4.17 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Smiths - Ask (Multi-track Breakdown)
February 19, 2011 13:20 - 5.3 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Smiths - Girlfriend In A Coma
February 19, 2011 13:20 - 2.65 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
The Smiths - That Joke Isn't Funny Anymore (Ending Build-up)
February 19, 2011 13:20 - 3.75 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Thomas Dolby - Hyperactive
February 19, 2011 13:20 - 5.15 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
Tom Tom Club - Genius of Love
February 19, 2011 13:20 - 2.21 MBOne of 18 tracks released on the podcast in a single day, after a long delay (sorry)
COVER: Dear Prudence
June 15, 2009 14:23 - 4.72 MBWasn't intending to do this but started playing it, it sounded okay so I got distracted and ended up overcooking my rice.
COVER: Do You Remember Walter/Spring Heeled Jim
May 24, 2009 14:41 - 5.61 MBCombination of 'Do You Remember Walter' by The Kinks and 'Spring Heeled Jim' by Morrissey. From the albums 'The Kinks Are The Village Green Preservation Society' and 'Vauxhall & I' respectively.
COVER: Stevie Wonder - Superstition
May 05, 2009 19:48 - 3.65 MBStevie Wonder tells it like it is...
COVER: The Smiths - How Soon Is Now? (Stereo)
March 25, 2009 23:01 - 4.73 MBSame recording as the mono version but remixed, and in stereo.
COVER: Lush - Breeze
March 15, 2009 15:05 - 3.19 MBFrom 19 years ago, a B-side of the 'Sweetness and Light' EP (which got to number 47 in the UK charts) and which I probably purchased from Our Price Records. Lush always made good use of Rickenbackers as rhythm guitars. Also I think the chords in this are great, moving around in an instinctive way and the bass does something interesting and strange in the chorus, quite Brian Wilson-ish if you ask me, which you didn't, but there we are. Lush = the Beach Boys of Camden in the 90s.
COVER: The Smiths - The Queen Is Dead
March 10, 2009 23:01 - 2.43 MBA couple of minutes of the title track.
Edward Corcoran (Irish folk tune)
January 24, 2009 17:06 - 2.49 MBOn the mandolin and 12 string acoustic. I wasn't sure what chords to play so I chose some that sounded nice.
COVER: The Byrds - It Won't Be Wrong
November 23, 2008 21:10 - 3.19 MBCOVER: Pink Floyd - Wish You Were Here
November 23, 2008 21:10 - 3.19 MBWarning: may contain traces of banjo.
COVER: The Smiths - You Just Haven't Earned It Yet Baby
November 22, 2008 10:20 - 7.23 MBNew Smiths instrumental cover. I fixed the intro since doing the video - can you spot the difference?
COVER: The Beach Boys - Feel Flows
December 30, 2007 14:18 - 10.7 MBThis is a very different mix to what is on the soundtrack of the video. The guitars build up gradually during the instrumental section, and are quiet in the verses. What you hear in the video is just taken directly from the Roland VS2480CD, and I wasn't touching the faders, so it isn't really how I wanted it to sound. Also the stereo makes a lot of difference.
COVER: The Smiths - Handsome Devil
August 08, 2007 22:51 - 3.95 MBNot in the same key as the 'Hatful...' session version - a tone lower, like some live versions. there are actually four guitar tracks all playing the same thing to beef it up, two on the Ric (as seen in the video) and two on the Tele custom '72
COVER: The Smiths - Stop Me If You Think You've Heard This One Before
July 15, 2007 22:51 - 3.49 MBI've always really liked the sound of this record. And why use one guitar when you can use five? It certainly helps to flesh out the sound. This is simple to play so it's more of an enjoyable production exercise, like How Soon Is Now.
COVER: Billy Bragg - Greetings to the New Brunette (Shirley)
July 08, 2007 17:00 - 4.1 MBThe lead guitar on the record sounds like it's played on electric (probably telecaster) and accoustic guitars, but the credits say Marr only did "electric guitar". So did Billy Bragg play the accoustic track? It seems about ten times as complicated as the stuff he normally plays and is very much in Johnny's style. Anyway, it's quite hard to hear but I've played what I imagine it to be and made it more prominent in the mix.
COVER: The Smiths - There Is A Light That Never Goes Out
June 01, 2007 21:00 - 2.54 MBPlaying all these parts, building them up layer by layer, has made me appreciate this song properly for the first time. It's wonderful how the music stands on its own (no slight to Moz - his contribution to the track was among his best).
COVER: The Smiths - Wonderful Woman
June 01, 2007 21:00 - 2.8 MBThe 12-inch b-side of This Charming Man, and also appeared in a Radio 1 session that has yet to be commercially released. Sounds better without the vocals (there, I've said it). Video features critically acclaimed trousers.
COVER: The Smiths - Nowhere Fast
June 01, 2007 21:00 - 3.18 MBThis was a lot of fun to work out and a lot of fun to play, which is why I couldn't resist doing the whole song (it's pretty short anyway), and I hope it's fun to sing along too, it's a bloody great song. Probably my favourite of these Smiths things I've done so far! So thanks for the suggestion, those people who suggested it. EVERY SENSIBLE CHILD WILL KNOW WHAT THIS MEANS.
COVER: The Smiths - Paint a Vulgar Picture
June 01, 2007 21:00 - 2.27 MBYou can see three different guitar parts being recorded here: rhythm, bass and lead. It took a long time for this song to grow on me. It seemed quite a boring, overly long song about the hard life of a pop star. But it has two things going for it: 1. the way it winds back and forth between the keys of D and B (by playing the C/A shapes with capo on 2nd fret). 2. the solo is one of the few guitar solos I enjoy - a carefully phrased melody with no disgusting unnecessary jazz twiddling. Lean and...
COVER: Pink Floyd - Lucifer Sam
May 23, 2007 15:28 - 3.45 MBA Syd Barrett song from 1967's 'The Piper at the Gates of Dawn'.
COVER: The Smiths - How Soon Is Now?
May 19, 2007 15:28 - 2.92 MBIntroducing the Rickenbacker 660/12.
COVER: The Smiths - Barbarism Begins At Home
May 06, 2007 15:28 - 2.85 MBCapo on the 2nd fret on the bass, because it's much easier to hit the low F# smoothly. And same on the guitar - Marr appears to tune his guitar up a tone instead, which must make the strings more tense so they slice your fingers up. Sod that.