BEHIND THE LENS #325: Featuring Jon Sherman
Behind The Lens
English - September 13, 2021 11:00 - 1 hour - 48.6 MB - ★★★★★ - 6 ratingsTV & Film film television film production cinema history directing screenwriting acting producing cinematography costume design Homepage Download Apple Podcasts Google Podcasts Overcast Castro Pocket Casts RSS feed
This week on BEHIND THE LENS, a reflection on 9/11 and the Victim's Compensation Fund and Special Master Ken Feinberg with our prerecorded exclusive interview with director SARA COLANGELO talking about WORTH, and then a shift to something lighter as writer/director JON SHERMAN is live talking about his new film THEY/THEM/US.
First up this week is a surprise non-scheduled prerecorded exclusive interview with director SARA COLANGELO talking in-depth about one of the complex issues surrounding the attacks of 9/11, the Victim Compensation Fund, now brought to the big screen with the narrative film WORTH. Written by Max Borenstein and adapted from Special Master attorney Ken Feinberg's memoirs, WORTH is a film that's more than worth your time and your compassion. Already known for her exemplary storytelling with the acclaimed Little Accidents and The Kindergarten Teacher, with WORTH, Colangelo ups the ante to deliver a powerful and compelling cinematic telling of this chapter in the history of 9/11. With a cast led by Michael Keaton in an award-worthy turn as Ken Feinberg, WORTH also stars Stanley Tucci, Amy Ryan, Tate Donovan, Laura Benanti, Shunari Ramanathan, and Talia Balsam, each brings a humanized emotional resonance to each character and the film as a whole. Watching Keaton is a master class in acting.
Then a big post-world premiere welcome to writer/director JON SHERMAN who joins us live talking about his latest comedy, THEY/THEM/US! Take a listen as Jon goes into the laughs, foibles, fun, and frenzy that the blending of families brings to the story, the genesis of the film, structuring story, crafting the comedic elements while never forgetting the drama of family, the considerations of visual design and working with his cinematographer, score and needledrops, editing comedy, casting, shooting as one of the first films approved to film during pandemic lockdown with industry protocols in place, the challenges of shooting on a 20-day schedule but with the bonus of having a first-rate union crew who would normally be tied up with larger projects were it not for the pandemic, budgeting struggles with finding an additional $75-100K beyond the budgeted film exclusively for covid protocols with safety and testing, incorporating local Ohio community into the film, and more.