EP 25 - Living the Dream
Beautiful Illusions
English - November 06, 2022 19:41 - 34 minutes - 28 MB - ★★★★★ - 5 ratingsPhilosophy Society & Culture Science art and science beautiful illusions consciousness culture Homepage Download Apple Podcasts Google Podcasts Overcast Castro Pocket Casts RSS feed
Previous Episode: EP 24 - Slaughterhouse Five: A Look Through the Cognitive Lens
Next Episode: EP 26 - Vacation: The Pedantics & Semantics
Visit our website BeautifulIllusions.org for a complete set of show notes and links to almost everything discussed in this episode
Selected References:
7:28 - See “Negativity Bias” (The Decision Lab) and the abstract of “Not all emotions are created equal: The negativity bias in social-emotional development” (Psychological Bulletin, 2008)8:52 - See “Teacher Salary Benchmarks” (National Education Association), “Ranking all 50 states on highest teacher pay shows the pinch of inflation” (District Administration, 2022), “Connecticut Teacher Income” (Teach Connecticut), “Income in the United States: 2021” (United States Census Bureau), “High income improves evaluation of life but not emotional well-being” (Proceedings of the National Academy of Sciences, 2010), “Experienced well-being rises with income, even above $75,000 per year” (Proceedings of the National Academy of Sciences, 2021), and “Money matters to happiness—perhaps more than previously thought” (Penn Today, 2021)21:00 - See “Positive attitude toward math predicts math achievement in kids” (Stanford Medicine, 2018)21:24 - See “A Brief Guide to Embodied Cognition: Why You Are Not Your Brain” (Scientific American, 2011) and the “Embodied cognition” Wikipedia entry22:20 - See “What is the FISH! Philosophy?”27:20 - See “The Bright and Dark Side of Gossip for Cooperation in Groups” (Frontiers in Psychology, 2019)28:05 - See “How to Respond to Negativity” (Harvard Business Review, 2012)28:19 - Toxic positivity (Wikipedia)This episode was recorded in October 2022
The “Beautiful Illusions Theme” was performed by Darron Vigliotti (guitar) and Joseph Vigliotti (drums), and was written and recorded by Darron Vigliotti