Episode 055 - 1 Year Anniversary with Lindsey & Kevin Dinneen

Tuesday, June 1st marks Artfully Told's one year anniversary, so Lindsey & Kevin Dinneen share about lessons learned and behind-the-scenes stories from one year of podcasting, the most recent dance-for-film production that they produced, and the exciting news for VidaDance Company's first live performance since 2019! (Fun fact: the cover image of this episode is VidaDance's KC Fringe promo image for our filmed production, "When.")

 

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Episode 55 – Lindsey & Kevin Dinneen

Lindsey Dinneen: Hello, and welcome to Artfully Told, where we share true stories about meaningful encounters with art.

[00:00:06] Krista: I think artists help people have different perspectives on every aspect of life.

[00:00:12]Roman:  All I can do is put my part in to the world.

[00:00:15] Elizabeth: It doesn't have to be perfect the first time. It doesn't have to be perfect ever really. I mean, as long as you, and you're enjoying doing it and you're trying your best, that can be good enough.

[00:00:23] Elna: Art is something that you can experience with your senses and that you just experiences as so beautiful. 

[00:00:31] Lindsey Dinneen: Hello, and welcome back to another episode of Artfully Told. I'm your host Lindsey, and I am very excited about today because this is a pretty special episode. Tomorrow, June 1st, marks Artfully Told's one year anniversary. And so today I invited my husband, Kevin, to come back to the show. Thank you for being here today, Kevin.

[00:00:55] Kevin Dinneen: Thank you for having me.

[00:00:56] Lindsey Dinneen: Of course. And I thought we would just talk about, you know, one year of Artfully Told and sort of maybe what we've been up to art wise over the last year, or what's coming up just to celebrate all things art. Yeah. So Yeah. So, gosh, do you have any questions for me right off the bat? Because I feel like this is...

[00:01:17] Kevin Dinneen: yeah, I do. So, so one year in how many, how many episodes is that? How many interviews?

[00:01:23] Lindsey Dinneen: So I have, at this point, this will be my 55th episode published because I did start with a few at the launch.

[00:01:32] Kevin Dinneen: Okay. So in those 55 episodes, what is something that you've learned? Sort of, is there a general sense of something that you've learned or something that you've kind of appreciated in general that you didn't expect, or?

[00:01:48] Lindsey Dinneen: Yeah, that's a really good question. You know, I think a lot of interesting things have emerged from the process. Of course, you know, this is my first time hosting a podcast and being part of it from start to finish. So I've, I've learned a lot about the process of actually producing a podcast and what all goes into that...

[00:02:07] Kevin Dinneen: The technical aspects.

[00:02:09] Lindsey Dinneen: Exactly.

[00:02:10]Kevin Dinneen: So yeah, so you learned all the technical aspects of it.

[00:02:13] Lindsey Dinneen: Right. And then the, I think one of the most interesting prevailing themes-- that was a little surprising to me only because I hadn't thought about it this way was-- you know, I asked my guests the same three questions every time. And one of them is, "what do you think is the most important role of an artist?" And I've gotten a lot of amazing answers, but one of the most commonly expressed answers is a form of, "to be true to yourself" or "to be honest," or, you know, those kinds of answers. And what's interesting to me about that is, you know, as a, as an artist, who's always taken on a different persona, like as a character or, you know, I'm portraying a certain emotion or something like that, it's not necessarily-- it's not like I'm being dishonest in the portrayal-- but my version of art...

[00:03:07] Like to me, it was interesting because for somebody who is just, is maybe a visual artist expressing themselves through painting or something like that, then to be true to themselves or honest is like them taking their truth and putting it onto like a canvas or something like that. Well, it was interesting about being an artist who takes on somebody else's persona, is that I want to do that character justice for that. At the same time, it's not me being myself honest, if that makes sense? And so that was always kind of an interesting answer that I've really enjoyed kind of delving into in a different way, because my answer to that question is different, but it's only because of the way that my art has come out so far, if that makes any sense.

[00:03:55]Kevin Dinneen: Could you say that, that you're being true to your character?

[00:03:58]Lindsey Dinneen:  Yeah.

[00:03:59] Kevin Dinneen: For portrayal?

[00:04:00] Lindsey Dinneen: Yeah. Oh, sure. I mean, I would always want to do that, but I think, I think I just hadn't, I hadn't labeled it as the most important thing for an artist because of the kind of work that I do. So I just really liked that perspective and thinking about how important that is to so many artists.

[00:04:20] Kevin Dinneen: So is there anything, can you think of a particular moment or two that surprised you?

[00:04:27]Lindsey Dinneen:  I have definitely had some guests, you know, with varied backgrounds where... well, I think, you know what, okay. Here's one thing that has been really important for me to learn and understand would be, especially people who've had different experiences with art based on, you know, their race or gender or whatever else . And, and it's so specific because the way that artists are treated, just, I guess like every human being-- unfortunately or fortunately-- has been treated, is different in the arts world. And so I think what has been interesting to me is learning the, the stories about people overcoming challenges that were kind of put in their way because of these different aspects of who they are, where it should, I think, just be about, you know, the right person for the right role or, you know, you're, you're a talented artist, regardless of what you look like or who you are. Everyone's experience is so different based on kind of who they are, what they look like, and stuff like that. So that's been really important for me, I think, to, to listen to these stories and to share them, because it provides a different perspective than maybe I would have had myself, and that's what I love about the podcast too.

[00:05:48] Kevin Dinneen: You get to maybe not experience what they experienced, but you get an idea of that experience.

[00:05:55] Lindsey Dinneen: Right.

[00:05:55] Kevin Dinneen: It broadens your own kind of vision of art.

[00:05:58] Lindsey Dinneen: Yeah. Yeah. It broadens the vision. And I don't force this conversation but it does open up conversations that might otherwise be difficult to have, or wouldn't come up necessarily, 'cause they're not always fun to talk about per se, but when you create a space where you can share about the good, the bad and the ugly, I think that that's been one of the most wonderful things is having people share honestly about their experiences.

[00:06:26]Kevin Dinneen: Looking forward, for the next year, the next 55 podcasts, is there-- or episodes I should say.

[00:06:33] Lindsey Dinneen: Yeah. Woo.

[00:06:35] Kevin Dinneen: Yeah. I have big dreams for you.

[00:06:40] Lindsey Dinneen: Oh boy. I won't be sleeping ever.

[00:06:41]Kevin Dinneen: So in the next 55 episodes, is there something that you would like to be intentional about and, and kind of focus on or? I know this year has just kind of been...

[00:06:54] Lindsey Dinneen: Exploration?

[00:06:55] Kevin Dinneen: Yeah. You know, you've been kind of learning and experiencing. And, and are there any changes you'd like to make or in your, in your approach or anything like that?

[00:07:05] Lindsey Dinneen: Yeah. I really like the conversations that have emerged naturally through these episodes. And I would like to keep it that sort of organic, like it's just the two of us having a conversation about art. So it doesn't feel as...

[00:07:20] Kevin Dinneen: That's the only agenda.

[00:07:21] Lindsey Dinneen: Yeah.

[00:07:22] Kevin Dinneen: Talk about art.

[00:07:23] Lindsey Dinneen: Talk about art and, and there's, that can go in so many different directions, but as long as we kind of keep the central theme of art and, and, and the stories that connect us. I think that that's really important to me. I particularly love hearing about certain moments that really stand out to people. So I think emphasizing that, yes, it's important to share about our creative processes and things like that. And I think that's very interesting, especially if like, I'm not a writer. So listening to a writer talk about their process is really cool to me, but I also really love the moments when people say, "You know, I went to this art gallery and I saw this one painting, and this one painting for whatever reason, spoke to me that day. And it changed my perspective on my relationship with my dad." Or something like that, where, you know, those moments are so cool and they happen.

[00:08:15] And I think we just need to talk about them more. So I think I'm looking forward to hearing more and more stories about the power of, of art. And then I think the other thing that I'm gonna mix up and play with a little bit is, now you've all had the opportunity to hear from a lot of different people about their perspectives on my final three questions. I'm pretty sure I'm going to be mixing those up. I'm kind of excited about that. I don't have them in stone yet.

[00:08:43] Kevin Dinneen: That was my next, my next question. Do we get a preview of what any of those questions are?

[00:08:49] Lindsey Dinneen: I'll give you one, 'cause it's a good one to probably ponder before coming on the show, although maybe, you know, again-- sometimes the spur of the moment answers are, are particularly delightful too. But I think one of the questions I want to ask is something along the lines of what you asked me at one of our episodes of,  you know, "Say this is your last day to live and you only get to experience one thing of art-- one show, one piece, one book, whatever-- one last time, what would that be and why?" And I just think that's such an interesting question to ask, because I think it'll, it'll tell us a lot about the individuals and sort of what means the most, you know, thinking about those last few moments. I think that will be really cool.

[00:09:33] Kevin Dinneen: Are you going to keep any of the others or completely switch it up?

[00:09:36] Lindsey Dinneen: I don't know. I don't know. I think probably that new question will become the new third question. I do like, I like all the questions. This is the problem, but I also think it's maybe time to do some new ones, so I don't know. TBD.

[00:09:53] Kevin Dinneen: All right. So outside of the, the podcast, anything interesting in this past year related to art that stands out for you?

[00:10:05] Lindsey Dinneen: Yeah. I think this has been a really wonky season for a lot of artists, but so there wasn't as much, there wasn't as much creative art stuff that I got to do last year. But as we're starting to kind of see things open back up, I'm really excited. Actually, yesterday we just finished wrapping up filming for  my professional company's very first dance for film production. We're fondly referring to it as your term, which is a dancical. In fact, you want to talk about why we're calling it a dancicle.

[00:10:40] Kevin Dinneen: So this year was so unique. And you know, we had the opportunity for your, your company to perform, but not live. We could perform on a stage and film it.

[00:10:55] Lindsey Dinneen: Right.

[00:10:56]Kevin Dinneen: But you know, that, that really poses an interesting challenge because it's not very immersive.

[00:11:03] Lindsey Dinneen: Right.

[00:11:03]Kevin Dinneen: You're just sitting there watching a video of something that happened live. And you know, I think that's one thing that "Hamilton" did well. It was, it was well-produced when they did it on stage very much and showed it in video.

[00:11:19] Lindsey Dinneen: Yep.

[00:11:20]Kevin Dinneen: But I think it's really hard to do well, and we have a little bit smaller of a budget.

[00:11:31] Lindsey Dinneen: A hundred or two bucks maybe. Right.

[00:11:34]Kevin Dinneen: So yeah, so we had to be creative and, and had the idea to film a dance, but movie style, on locations. And so basically it's like a musical because it is a video, a movie, but there's no dialogue, it's all, it's dance. But it is, you know, in, on set and in locations and things like that with a soundtrack. So, so not all of it is dancing. So that's why it's a dancical. Just like in a musical, it's not all singing. So that's where, that's where the term dancical came from.

[00:12:10] Lindsey Dinneen: Yes. Yes, exactly. I love it. Yeah. I'm super excited for so many reasons, but I think that that particular adventure is going to be really cool to see it come together. I mean, it was such an interesting process because, you know, I've never-- obviously we've had things filmed before, but it, it's kind of like what Kevin was saying in the sense of like, we do this stage production. There's this one, maybe two camera angles, but it's, it's mostly just to have like a memory of it. And so to then go and work with a filmmaker-- and we have the great privilege of working with Alden Miller, who was actually a previous guest on Artfully Told. So definitely go check out his episode. He has a lot of great insight and wisdom to share and, but, yeah. So we've been working with him and, you know, he's fantastic. He's an award winning documentary filmmaker. So he knows exactly what he's doing. And he was so gracious to work with a company that is super enthusiastic, but doesn't know the ropes behind creating a film, right? So, you know, from the get go, it was a collaborative process. Kevin was the person who came up with the storyline. I was frankly, not feeling very inspired. I, I had these ideas. I just didn't feel like any of them would work. And then one day, Kevin had this-- well, I'll let you tell this part of the story if you're okay with it.

[00:13:36]Kevin Dinneen: Yeah, so I, I was, I dunno what you would say, fulfilling a challenge. The challenge was to memorize something and I had a week to memorize something, some sort of text, and I chose Rudyard Kipling's poem, "If," and it was a poem that he wrote for his son. And I was pretty inspired by it because it, it talks about being a man, but you know, really it's just about being a legitimate, good person and basically how to act. And I was inspired by it and felt like we could come up with a story that embodies, and, you know, makes it into a visual source to tell this story. So that was, that was my inspiration. So then you read it and you're like," Yeah. That's okay." And...

[00:14:34] Lindsey Dinneen: No, I loved the poem. I just also couldn't picture, right....

[00:14:38] Kevin Dinneen: I mean, like that's an okay inspiration for a thing, but it didn't quite...

[00:14:42] Lindsey Dinneen: Yes. Yeah. Where could this lead to in a dance production kind of thing.

[00:14:45] Kevin Dinneen: Right, right. Yeah. Yeah. So then we kind of hashed it out, what it might look like, some storyline ideas. And then, yeah, it was at one point, probably one of my prouder moments when you're like, "Okay, this could probably work."

[00:14:59] Lindsey Dinneen: Yeah. Well, what's cool about the poem and maybe we can post a copy or at least a link to, to view it. We'll do that in our show notes, but it's, it's a fantastic poem. It's really inspiring. And, it's kind of just sort of naturally broken into four sections. And so Kevin took the four sections and put a storyline. So there's sort of four storylines that follow, you know, in our case, women, mostly. But, but follow women through their individual storylines, but what's kind of cool about the way that it's turned out, is they're interwoven in interesting ways. So you, you sort of see the characters woven into the different scenes, and I think that's going to be a really cool aspect of it.

[00:15:40] Like, you know, you'll see, for example, the lead characters from the first scene, you'll see them visiting the restaurant in the second scene, you know, and, and so sort of it kind of weaves through. So I think it's actually going to turn out really cool. But yeah, and so once, once Kevin had sort of narrowed it down, we had sort of hashed it out a little bit, we then met with Alden and really kind of had like a brainstorming, "here's what we're thinking." But he's essentially a professional storyteller, so like, this is his area. So like, "What do you see in and how can we make this all work together?" And so once that process got done, then it was a matter of, well, I think you had already picked out music by that time too.

[00:16:20]Kevin Dinneen: Yeah, we had had all the music ready. And what's interesting about that is when we're coming up with our storyline and he's saying, "Okay, where, where is this going to be?" Oh, I don't know. You know, we're just used to always having a stage. That's where it's going to be. So that was another interesting element and, and sort of challenge is finding locations to shoot and getting permission and jumping through all the hoops and, there's all sorts of things that we had to do. All sorts of things that we're not used to doing that it was a learning process.

[00:16:56] Lindsey Dinneen: Yeah. Yeah. Well, and, and honestly, I'll just-- to be totally frank, you know, normally when we're doing this process, I'm very used to the process of coordinating people with rehearsal time, and we usually have one space that we're rehearsing in. So it's, it's a very easy process in the sense of, yeah, we're trying to figure out overlapping schedules of availability, but it's that compared to time slots and what we need? It's not that bad, and I've done it a lot, so I'm very comfortable with it. But this was this whole other layer of not only are we coordinating people's availability, but we're also coordinating Alden's availability with that, and on top of that venue availability, and on top of that weather conditions. So frankly it was one of the most stressful periods of my life, probably since awhile, because there was just so much to coordinate and I just wasn't, I also wasn't aware of the length of time it takes to coordinate things like that. 'Cause you know, I'm kind of used to-- all right, this studio is available then. Perfect. So this is how we'll fit it in, versus, you know, like filming at a college. There's this entire process that you have to go through of getting approved and where exactly are you going to film and then filling out all the paperwork and stuff like that. And so the lead time is so much longer.

[00:18:16] Kevin Dinneen: And then finding a time where students and teachers aren't going to be interrupted with the filming and.

[00:18:23] Lindsey Dinneen: Right.

[00:18:23] Kevin Dinneen: Yeah. All sorts of things.

[00:18:24] Lindsey Dinneen: All sorts of things. So yeah, it was just a totally different process. But then, so there was that learning curve, but then there was a learning curve of actually like being in the process of the actual filming taking place and not realizing certain things, which has been really cool, actually. Like, you know, when you're filming a movie, for instance, you're going to have the characters change costumes, change clothes between different days or different scenes. That makes complete sense to me. But as a dancer who usually sticks with, you know, dance kind of choreography, usually if you're establishing a character, you keep their costume the same throughout, 'cause that way it's easy to identify as an audience like, "Oh, you know, Jane always wears her blue gingham dress. "So you know that's Jane, if that makes sense, partly because we don't have the advantage of getting to see people's faces all that close. And so it is important to kind of establish, but now it was like, "Oh right, we should change hairstyles. We should change maybe even a little bit different makeup. We need to change the clothes from day to day." So it looks like not just one long one day, you know, but different days. And this is a progressive storyline. That was funny, but you know, not something I would have thought of.

[00:19:45] Kevin Dinneen: And the thing that stood out for me that was probably the most different that I noticed was for dance, you rehearse, rehearse, rehearse, rehearse, rehearse, rehearse, rehearse, and then boom, you have one shot and you get it perfect. And then in this, rehearsing is almost worthless because if you go to a space that is not the film set and rehearse, it's not going to be the same. And so then when you get on to set, you have, you have different things that get in the way or it's carpet and you didn't rehearse on carpet. So this turn is not gonna work. So you just get there and you do a bunch of takes.

[00:20:30] Lindsey Dinneen: You're absolutely right. And certain things too, you know, there were, there were certain spaces that we didn't even have access to before the day of the filming. Well, I guess all of them where we had kind of, we had an idea of the space and what, what we could use of it, but it's still different, you know? 'Cause you take away the certain image and you kind of say, "Okay, this is, I think, choreography that's gonna fit in right here." But then you get there and you realize that either things have moved or they actually don't want you to touch this one thing that you thought it would be okay if, you know, you use the counter as like a barre or, you know, stuff like that, where it-- that's all fine, well, and good. It's just, it was really interesting 'cause it was like, okay, set the choreography. Try to be as prepared as you can be. And then the day of is like completely flexible and things changed like that, you know? And it was, I'm so grateful. I work with such amazing dancers who are totally fine with that. There were no complaints, there were no issues whatsoever. They were like, "Sure. Okay. Yeah." And then, you know, you're doing your fourth, fifth take of the exact same moment. And we're just not used to that, but you know, everyone was like, "This is fun," you know?

[00:21:42] Kevin Dinneen: And the feedback from the dancers, they're like, "Oh, would it work if I did this, or maybe I could do this?" just like on film day.

[00:21:50] Lindsey Dinneen: Yeah.

[00:21:51] Kevin Dinneen: That doesn't happen in productions.

[00:21:53] Lindsey Dinneen: Right. "Let's change this!".

[00:21:55] Kevin Dinneen: You're not rehearsing for month, and then like, "You know, I was thinking!"

[00:21:59] Lindsey Dinneen: Let's do it this way instead.

[00:22:00] Kevin Dinneen: Yeah.

[00:22:01] Lindsey Dinneen: Right.

[00:22:02] Kevin Dinneen: And so that was fun.

[00:22:03] Lindsey Dinneen: It was fun.

[00:22:03] Kevin Dinneen: It was fun. And, and worked really well.

[00:22:08] Lindsey Dinneen: I think so too.  And I think, you know, and it seems so obvious when I think about it in context, but without having someone to say, "You know, you're going to have to be loose with your musical interpretation of some of these movements so that it can be adopted for film." It just, it wasn't something that I had really thought about. So I think the learning curve has been a lot of fun too. There would be moments when, you know, Alden would say, "Okay, so from my perspective as a filmmaker, I'm seeing this. Now I know this is different than a normal dance production."  And so, you know, funny things like that, where all of a sudden be like, "Oh, okay, actually, can you start from the other side and do your thing the reverse way?" And, and, you know, just things I just didn't think about. It was great.

[00:22:52] Kevin Dinneen: Yeah. And now, it's kind of out of your hands...

[00:22:55] Lindsey Dinneen: It is!

[00:22:55] Kevin Dinneen: It's up to Alden and his superpower...

[00:22:59] Lindsey Dinneen: Magical genius...

[00:23:00] Kevin Dinneen: Of editing.

[00:23:03] Lindsey Dinneen: So we'll see, but we're really excited. It's going to premiere at the Kansas City Fringe Festival in July. We will definitely be talking about that closer to the time, but keep your eyes open on our company website, which is www.vidadancecompany.com and also www.kcfringe.org, because that's where you'll be able to take advantage of seeing us dance and seeing this brand new production.

[00:23:33] Kevin Dinneen: And I think, I don't know of another movie like this. I think this might be pretty close to the first of its kind. There's probably very few people that have tried this.

[00:23:50] Lindsey Dinneen: Yeah, 'cause it's, it's not like you see a lot of really good like dance movies or dance inspired movies where it's about a group of dancers, but there's always dialogue.

[00:24:01]Kevin Dinneen: And it's about dance. It's not using dance as the medium.

[00:24:06] Lindsey Dinneen: Oh, of the way...

[00:24:07] Kevin Dinneen: To tell the story.

[00:24:08] Lindsey Dinneen: Yeah. Yeah.

[00:24:10] Kevin Dinneen: 'Cause this isn't about dance.

[00:24:12] Lindsey Dinneen: Right. It's using...

[00:24:13] Kevin Dinneen: It is dance.

[00:24:14] Lindsey Dinneen: It is dance. Yeah. Yeah. There you go. I like it. And I think that's why dancical is so appropriate, because it's a good way of describing it. So yeah. So our production is called "When," so, you know the idea behind that was, Kipling's poem, "If," and then we sort of interpreted that to be, when you are these things, then this is what/ who you can become or who you can be and how you can navigate life. So it's really exciting.

[00:24:40] Kevin Dinneen: Yeah.

[00:24:42]Lindsey Dinneen: Yeah. So that was the latest project that we were working on.

[00:24:48]Kevin Dinneen: So you got some good news yesterday, I think it was, and it's art related.

[00:24:55] Lindsey Dinneen: It is art-related. So we booked the theater at Union Station in Kansas City for a reprise of our unique Nutcracker called "Cracked! A Reimagined Kansas City Nutcracker." And on top of that, we got word from the aerial dance company, Kansas City Aerial Arts, that we have partnered with in the past. And they are going to be joining us for this production again, which is so exciting. I'm so thrilled because they're wonderful people, just so great to work with and bring such a cool, unique element. So that's going to be the first weekend of December and I am so excited. Live performances are going to be back!

[00:25:44] Kevin Dinneen: All right. Yeah. Cool. Well,. I do want to say congratulations on the one year anniversary you made it a year.

[00:25:55] Lindsey Dinneen: I did! Successfully. We're still going!

[00:25:59] Kevin Dinneen: And, and learned everything from scratch. Taught yourself. You've got your setup. It's a one-woman show. You've, you've rocked it, and people love it. So, good job. Congratulations.

[00:26:10] Lindsey Dinneen: Thank you. Awesome. Thanks. Well, so I'm just curious since I'm now experimenting with different questions. Do you have any different questions that you would like to ask me? We can test them out in real time.

[00:26:23] Kevin Dinneen: Okay.

[00:26:23] Lindsey Dinneen: This is off the cuff, guys.

[00:26:24] Kevin Dinneen: Well, this whole episode is. We didn't talk about this.

[00:26:26] Lindsey Dinneen: Well, this is very true.

[00:26:28] Kevin Dinneen: Gosh. Is there something that stands out to you as, as something that is art related that you would love to do that is completely outside of your wheelhouse and maybe you've so far felt a little intimidated, and that just kind of held you back? Or "I've never even, I wouldn't know where to start?" Or is there something like that that you would love to do? It's just kind of been outside your wheelhouse, but you would love to try.

[00:26:59] Lindsey Dinneen: Yes. I have two pipe dreams. One is to act. I really think I would enjoy acting. I, I love that element that I get to do in dance productions. So I actually think that having a speaking role in like a play or something else would be really cool, but it's so intimidating to me. I can memorize choreography. I'm sure I could figure out how to memorize lines, but it feels different. I'll put it that way. And a different kind of vulnerable.  I've kind of gotten used to the way dance is vulnerable, but that would be like a whole 'nother level. So that's, that's one pipe dream. And the other one would be singing. I love singing, but I don't have any formal training, and I would absolutely need it if I ever try to pursue anything, I don't think anyone would be super thrilled to hear me without it. But yeah,  those are the two things that are kind of hanging out there that I'd love to do at some point.

[00:27:51] Kevin Dinneen: Okay. Okay. So, so in the world of art, just in general, which is the whole world, right?

[00:27:58] Lindsey Dinneen: Yeah. The world is art.

[00:28:00]Kevin Dinneen: So let's, let's see. Maybe we can narrow that down. What, what would you like to see in the world of creating art or displaying art or making it available to people, what change would you like to see  in how art works basically? In general, what's, what's a change you'd like to see?

[00:28:17] Lindsey Dinneen: Yeah, that's a great question. I really like it. I think, I think one change I would really like to see is more of an exposure to arts from a young age, more of a chance to participate in arts from a young age.  It's difficult because arts tend to be the first thing that get cut in a school's budget, right? And, you know, study after study has proven that kiddos who are involved in arts usually do better academically and socially and things like that, build really good life skills, but it is, you know, I also can understand how from just a fiscal responsibility perspective, people would cut that, because there are other things that are important too. But when that happens, there's just such a gap in a child's education and even a way of positively expressing themselves and learning that  there's a lot of emotion that doesn't necessarily need to be expressed in words, or in behavioral changes. You could take that emotion and whatever is coming up and put it onto a canvas or into a dance or into a song. And I think that if we could do that at a younger age to nurture this art appreciation, I think that that would actually have a really positive impact on the world, because there'd be so many more people able to express themselves.  And like I said, it doesn't have to be words. It could be. Maybe that's the way you choose to, but it could be these grand masterpieces that we would never get otherwise, because a child was one time told, "Oh, that's a silly drawing" or something like that. So I think if we could encourage the arts and participation in the arts from a younger age, that would be my dream.

[00:30:08] Kevin Dinneen: Okay. So it's no surprise then that you teach young students.

[00:30:12] Lindsey Dinneen: Yes, I suppose so!

[00:30:15] Kevin Dinneen: Yes. And, and that's been important to you, so that makes sense.

[00:30:19] Lindsey Dinneen: Yeah.

[00:30:19]Kevin Dinneen: So do I have to come up with a third one?

[00:30:21] Lindsey Dinneen: No, I don't think so. I think those are two really good ones. Yeah.

[00:30:25] Kevin Dinneen: Okay. Okay. I'll do a third one in another episode.

[00:30:30] Lindsey Dinneen: Okay, that's fair! Alright. Well, thank you, Kevin, for being my guest host today and asking good questions and then, you know, helping me tell our stories. I appreciate it. And I, I really have to say this has been such a cool opportunity for me. I have loved getting to talk to people who are doing just amazing things with their lives. And, you know, art plays a big role in that for these people, but just who they are and how they're contributing is so cool. And the power of the arts, and just being able to have these honest conversations about the good, the bad and the ugly in the art world, I think has been outstanding for me personally. Every time I get to record an episode, it just sort of fills my soul back up and, and, you know, it reminds me that there is a lot of good in the world and people are doing really good things. And I think that's so important to remember.

[00:31:29]So, so I guess I have a twofold thanks. One part of that thanks is to everyone who's been a guest so far on Artfully Told and has been willing to be honest and transparent and willing for me to ask you questions that might kind of throw you for a second, but that you're willing to dive a little deeper into some of the concepts, and I really appreciate that. And so thank you to everyone who's been a guest, but also a huge thank you to everyone who has been a supporter by listening to the episodes and whether you let me know you're listening or not, I just appreciate each and every one of you because you are what keeps us going. So thank you. Happy one year! This is really exciting. I'm super stoked. I don't ever say the word stoked, but here we are. I'm just that excited and I can't wait to share art with the world. And I hope you're feeling inspired. I hope you share this episode, or one of the many that are available and many more to come, with a friend and we will catch you next time.

[00:32:38] If you have a story to share with us, we would love that so much. And I hope your day has been Artfully Told.