Haunted Honeymoon (1986) with Michael Pressman (BONUS EPISODE)

What’s wrong with Larry Abbot?  The radio star is having bouts of fear, perhaps a remnant of childhood trauma.  Otherwise, everything seems to be swell:  he’s engaged to be married to his scene partner, the delightful Vickie Pearle.  But the radio show, hosted by the Manhattan Mystery Theater and lead sponsor Ralston-Purina are concerned about Larry’s mental health, so they’ve hired Larry’s Uncle Paul, a psychiatrist. to employ a radical cure that will rid Larry of his fears in no more than 36 hours.  And off go Larry and Vickie to Larry’s ancestral stomping grounds, a palatial estate that bears a striking resemblance to, well, let’s just say we’ve seen it before.  Just like the Abbot family butler, Pfister, and the maid, the diminutive Rachel – there’s something familiar about them as well.  What’s new are the cast of characters that assemble at the estate for Larry and Vickie’s wedding – Larry’s cousins Charles, Nora, Susan, and Francis Jr., all of whom seem to have ulterior motives of one kind of another, some of which may include death or inheriting the fortune of the family matriarch, Aunt Kate.  Will Larry and Vickie make it through the next couple days intact?  Will we, the audience, figure out what’s really going on?  Maybe so, but we’ll have to sit through all 82 minutes of this film to find out.

Intro, Math Club, and Debate Society (spoiler-free): 00:00-33:30
Honor Roll and Detention (spoiler-heavy): 33:31-1:00:18
Superlatives (spoiler-heavier): 1:00:19-1:17:45

Director Gene Wilder
Screenplay Gene Wilder & Terence Marsh
Featuring Roger Ashton-Griffiths, Jim Carter, Dom DeLuise, Eve Ferret, Bryan Pringle, Jonathan Pryce, Gilda Radner, Jo Ross, Paul L. Smith, Peter Vaughan, Ann Way, Gene Wilder


Award-winning director/producer Michael Pressman has worked across most entertainment genres and mediums, including comedies, dramas, social commentaries, short films, feature length studio and indie films, series television and movies, Broadway stage productions, and regional theater.  His directing credits for film include The Bad News Bears in Breaking Training, Doctor Detroit, Teenage Mutant Ninja Turtles II: The Secret of the Ooze, To Gillian on her 37th Birthday, and Frankie and Johnny Are Married.  His television movies include To Heal a Nation, about the building of the Vietnam memorial, and the Anne Tyler adaptation Saint Maybe, starring Tom McCarthy, Blythe Danner, and Mary-Louise Parker (Hallmark Hall of Fame). He co-executive produced and directed David E. Kelley’s “Picket Fences,” which lasted four seasons and won him two Emmy Awards for Outstanding Drama Series. Pressman then launched Kelley’s next show, “Chicago Hope,” which earned him another Emmy nomination for Outstanding Drama Series. Other series that Pressman has produced and directed include multiple episodes of the Emmy Award-winning series “Law & Order: SVU,” and two seasons of “Blue Bloods.” He executive produced the fifth and sixth season of NBC’s “Chicago Med,” earning that show its highest ratings to date. Pressman’s stage work includes directing the Los Angeles premiere of To Gillian on her 37th Birthday, and a Los Angeles production of Frankie and Johnny in the Claire De Lune, the 2008 Broadway revival of Come Back, Little Sheba with S. Epatha Merkerson in the lead role. His most recent stage experience was directing Diane Frolov’s Come Get Maggie for L.A.’s Rogue Machine Theatre.

Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from “Haunted Honeymoon” by John Morris.

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